Chuck Close Versus The Chuck Close Filter

“I never intended to rip off Chuck Close, so when he emailed me in November 2010 threatening legal action, I did exactly what he said and took my filter offline immediately. Still, I feel obligated to point out that Close is the 14th richest living artist, worth a staggering $25 million. I really don’t think any work I make is going to “jeopardize” his career or his livelihood.”

Pulitzer Fiction Juror Tells What Happened In This Year Without A Prize

Michael Cunningham: “On April 16, 2012, the Pulitzer Prize Board announced that it would award no Pulitzer for fiction in 2012. This was, to say the least, surprising and upsetting to any number of people, prominent among them the three fiction jurors, who’d read over three hundred novels and short-story collections, and finally submitted three finalists, each remarkable (or so we believed) in its own way.”

Frances Alenikoff, 91, Grandmother Of Multimedia Dance

“[She] an active participant in the artistic ferment in and around the lofts of SoHo at midcentury and afterward. By the 1950s her work had begun to take on aspects of what would now be called multimedia performance, employing slides and chanting to add color and meter to the dance.” She founded and ran two companies and continued performing into her 80s.

The Decentralization (De-Hallification?) Of Classical Music

“Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz clubs, coffeehouses, and other alternative venues. That’s bringing their music to listeners who otherwise might never have encountered it. It’s also expanding the range of classical (or contemporary or “postclassical”) music being created today.”

What South Carolina’s Governor Said In Defunding The State’s Arts Commission

Haley criticized the amount of overhead in the agency’s budget, with 30 percent of the funds dedicated to administration, personnel, and operating expenses. “Who would donate to a charity that spent that much money on overhead?” Haley asked. “Instead of taking a command-and-control approach to promoting the arts, we would be better off returning these funds to the public, to let them decide for themselves what artistic endeavors deserve financial support.”