Puerto Ricans such as the Despacito duo were responsible for 27 of the top 100 most-viewed music videos on YouTube in 2017. Over on Spotify, four of the six most popular Latin artists are also Puerto Rican: Fonsi and Yankee again, plus Bad Bunny and Ozuna. All this from an island of just three and a half million souls, plus the other five million Puerto Ricans who live in the US.
Tag: 07.11.18
Running A Theatre Is About So Much More Than The Plays, As These First-Time Artistic Directors Found Out
“Most UK theatres are run by people with the title of ‘artistic director’. But many taking over a building for the first time, even if they are not doing the job of chief executive as well, very quickly understand that being artistic is only one part of the job. … Lyn Gardner talks to those in the know and finds they all agree the overall experience of an audience is as important as the plays they stage.”
Now In Middle Age, How Hip Hop Is Moving On
Over the past three months, four superstars have released albums that assess, from different angles, what a genre-dominating rapper does when the genre is beginning to move on: Kanye West’s “Ye” (as well as his collaborations with others); Drake’s “Scorpion”; J. Cole’s “KOD”; and Jay-Z’s “Everything Is Love,” which he and his wife, Beyoncé, put out as the Carters.
Oops! New Broadway Musical Sells $169.50 Tickets For $16.95
“This was quite the Broadway bargain. Last night, producers of the upcoming Broadway musical Gettin’ the Band Back Together, which begins previews July 19 at the Belasco Theatre, scrambled to correct a massive error they posted on Telecharge.”
New Paid Internship Program Aims To Increase Diversity Of Art Museum Staff
“In response to the demographic disparity of staff in museums, the Association of Art Museum Directors (AAMD) has launched a paid internship programme aimed at giving undergraduate students from under-represented backgrounds an opportunity to work in the arts.”
Five Choreographers Talk About How They Handle Reviews
Dance Magazine talks to Sergio Trujillo, Gabrielle Lamb, Joe Goode, Rosie Herrera, and Claudia Schreier, who says, “Often I am already thinking about the things they mentioned. Translating dance into words is the gift of the critic, so to hold that reflection back at you can be incredibly helpful.”
It’s Been Two Days Since The Thai Boys Were Rescued From The Cave, And Already Two Movie Versions Have Been Announced
Within a day of the emergence of the last of the boys and their adult coach from the flooded cave near Chiang Rai, faith-based studio Pure Flix Entertainment (the God’s Not Dead franchise) announced plans for a film adaptation of the story under its mainstream imprint Pinnacle Peaks (Little Women). The next day, beginning with a furious tweet saying “I refuse to let Hollywood #whitewashout the Thai Cave rescue story!,” director John Chu (Now You See Me 2, Crazy Rich Asians) and Ivanhoe Pictures revealed they had secured rights to the story from the Thai navy and government.
Michael Kaiser Named San Antonio Symphony’s Interim Executive Director
“Kaiser advised the city/county task force formed earlier this year as it worked to come up with solutions to the symphony’s recurring financial issues. … Kaiser is a well-regarded consultant whose career includes stints leading the Kennedy Center and the Alvin Ailey American Dance Theater Foundation. He founded the Kennedy Center Arts Management Institute, now known as the DeVos Institute of Arts Management, in 2001 to serve as a training ground for arts administrators.”
Deneuve, Muti, Portzamparc Win Japan’s Praemium Imperiale
The 2018 laureates of the Japan Art Assoication’s 15 million yen ($133,000) prize, created as a sort of Nobel for the arts, are actress Catherine Deneuve, conductor Riccardo Muti, architect Christian de Portzamparc, painter Pierre Alechinsky, and sculptor Fujiko Nakaya, known for using fog as a medium.
Taking Art Out Of The Studios And Into The Streets And Communities Of Ghana
In an Accra neighborhood, a monthly parade of men in drag carrying big yellow plastic jugs, which the organizer uses to make public art in a style he calls “Afrogallonism.” An artist covering himself in blue or gold paint and slow-walking through the streets of Jamestown. Immersive installations in an old train shed and car showroom in Kumasi. Covering Accra billboards in secondhand clothing and the National Theatre in jute sacks. Billie A. McTernan writes about these and other projects to bring the arts directly to regular people in the West African country.