John Irving On Writing About Sexual Difference

“When I finished The World According to Garp in 1978, I was naïve enough to think that I will never write about this subject again; that our intolerance of our own sexual differences will surely go away, and that Garp will be seen someday as a relic of the post-sexual-liberation days … [But] it’s still the same damn subject. It’s still about our obstinate intolerance to sexual differences.”

Of Good Intentions, Funding, And Exploiting Artists

“Using artists as cheap work-for-hire is a common theme among many of these large well-intention idea-focused organizations. They want to contribute to solving seemingly intractable problems and they acknowledge that sometimes people within the fields where those problems are happening are a bit too tied to existing ways of thinking, plus they have a general admiration for artists as creative thinkers, so they say, let’s bring in an artist to help us solve our problem.”

Are Accordions Cool (Again)?

“The accordion, with its distinctive reedy sound produced by bellows, has not been widely popular in this country since the 1950s and ’60s. But the American Accordionists’ Association, founded in 1938, has been trying to reverse that, putting emphasis on attracting young players. It’s not easy.”

Does The Web Make Music Criticism Meaner?

Anne Midgette: “This morning, I Tweeted … the question, … and a couple of artists promptly responded, unequivocally, Yes. … As someone who’s written my share of tough reviews, I thought a lot about this response. My basic stance on what the Web has done to music criticism is very positive: it’s allowed a lot more discussion and a lot more response.”