Japan May Finally Be Joining The E-Book Revolution

“While consumers in the US and Europe increasingly turn to e-readers, many Japanese have stubbornly refused to part with conventional reading matter. … But that could all be about to change from Thursday, when the Japanese online retail giant Rakuten launches an e-reader it hopes will see off an expected challenge from Amazon’s device later this year, and corner the world’s second-biggest publishing market.”

How Kickstarter Could Transform (Or Disrupt) Public Radio

“Previously it took years to establish a new show on public radio, and the process involved grant writing and lots of politics. Now radio stations and producers themselves can turn to Kickstarter and show there’s an audience that values their ideas. … [But what] if listeners stopped giving to their local stations and instead just spent all their money to directly fund producers via Kickstarter?”

Sure, Ted Shawn Founded Jacob’s Pillow, But He’s A Problematic Icon

“In his 1926 treatise The American Ballet, for instance, Shawn denigrated women (who greatly outnumbered men in the field), African Americans (he saw popular dances rooted in African American traditions, like the Charleston, as a threat to dance as an art-with-a-capital-A), and any immigrant without claim to an ‘Anglo-Saxon’ heritage (he was interested in creating a purely ‘American’ art form), in the service of his own mission.”

Where’s The Culture In The Cultural Olympiad? Grouses Jonathan Jones

“This is the summer of stupid. … The jubilee was one big festival of refusing to think. … So is the Cultural Olympiad, with its high-class acrobats. Who really cares about [Elizabeth] Streb’s aerial choreography? It has no cultural depth at all. Nor do such highlights of the Olympic summer of culture as a bus balanced on top of a seaside pavilion or a poetry bombing.”

La Jolla Playhouse Director Talks About Color-Blind (Non-Asian) Casting Controversy

The Nightingale, a new musical “adapted from the Hans Christian Andersen story, is set in ancient China but features a multi-ethnic cast of mostly non-Asians. The lead role of a Chinese ruler is played by a white actor.” While artistic director Christopher Ashley is “sympathetic with the need for more Asian Americans in theater, … [he says] Asian Americans have benefited from the company’s use of color-blind casting in the past.”