The Power Of The Bolshoi Ballet

Judith Mackrell: “The year was 1986 and the Bolshoi were returning to Britain after a long, cold war gap of 17 years. I was just starting out as a critic and had never seen them perform – but everyone talked about the company as if they were the Cossacks of the dance world, hot-blooded creatures of phenomenal prowess, whose arching jumps and multiple pirouettes scorched the stage.”

This Week: An All-Star ArtsJournal Group Blog – Artists & Creative Rights

“How likely is it that arts and culture workers will have a real voice in policy deliberations, if their clout doesn’t come down to cash? Celebrity, moral suasion and stats about economic impact are nice assets to deploy, but does anyone think they provide the kind of access or standing enjoyed by the oligopolies?”

Carlos Acosta May Have Had Enough Of Ballet

“Ballet is a formula and it’s unorganic. … Humans were not meant to move that way, let alone while jumping high in the air. … I’m not a ballet dancer. It’s never been natural for me … When you put on the white tights, and you see some other 20-year-old kid leaping about, you ask yourself, ‘Why would I carry on? I’ve done it so well, for so long.’ When is it time to say, ‘Enough’?”