This week: How did our culture get to the point we don’t trust facts?… Are artists actually detrimental to neighborhoods?… Our notions of “greatness” need an overhaul… Europe’s new cultural paradigm desperately needs artists… Are donors to museum building projects do their museums a disservice?
Tag: 07.24.16
The Subtle Art Of Translation: Translators And Writers Speak
“Naturally, publishers and booksellers alike are keen to capitalise on our exotic new appetites (to use the phrase “cash in” seems a bit unfair in these slightly rarefied circumstances). Nearly every week, publicists send me new or previously ignored (by us) foreign novels.”
This New York Times Critic Listened To Every Recording Jaap Van Zweden Has Made, And Here Are His Verdicts
David Allen: “Mr. van Zweden has been a prolific recording artist, churning out an average of three albums a year for more than a decade. … Over the past month, I listened to all of them, more than three dozen, a total of 52 hours. What did I learn?”
Fur Will Be Flying: ‘Cats’ Is Back On Broadway, And, Well, Not Everyone Is Happy About It
“Who wants Cats again? I posed the question to people of all stripes and have come to realize that the question is itself a theatrical acid test: It gives way to passionate replies on both sides. No one seems indifferent.”
Raising The Standard Of Choreography In Pop Music
Singer-songwriter Sia and choreographer Ryan Heffington “believe that dance is underused in pop music – more that it is abused much of the time by adhering to an easy formula. ‘We established the artist and backup dancers, I believe, in the early ’80s,’ he said. ‘There has to be evolution, and there is. We’re doing it.'”
Why Come Back To Broadway To Direct A Show You Did There Decades Ago? Trevor Nunn, James Lapine, And Scott Ellis Explain
“Theater rewards the fresh take – a new work, or a new set of eyes on a familiar story. But Broadway this year is home to three shows that are being directed by men who oversaw the same shows, also on Broadway, decades ago. Why are they back? Here are edited excerpts from conversations with the directors about their experiences and expectations the second time around.”