Musician Payments For Streaming Are A Mess. So Apple Has A Plan (But…)

“Apple recently made a proposal that could fundamentally transform the way streaming services pay songwriters and music publishers. As part of a government rate-setting process known as the Copyright Royalty Board tribunal (CRB), Apple recommended that services pay a fixed penny rate per stream. This structure is a major departure from the way streaming services have traditionally paid royalties. Moving to a penny rate would be a tremendous step toward transparency in music publishing. But be careful of the fine print.”

What Are The Most Popular Songs Right Now? It’s Increasingly Difficult To Tell

Stream, steal, or buy: Those are your choices. The premium streaming services represent just one batch of countless channels by which consumers can hear music. And so Billboard now bears the complex task of incorporating traffic from an ever-widening variety of platforms — YouTube, Vevo, Spotify, Apple Music, Tidal, Pandora, Vine, Twitter, etc. — into a standardized accounting that ranks all these songs together.

Diversity-In-Casting Arguments Crop Up Again, This Time Over A Concert Performance

The project in question is the in-progress stage adaptation of the 1998 Dreamworks animated feature The Prince of Egypt, about the life of Moses. The script and score will get their first public reading in a free outdoor performance next month on Long Island, and a social media fracas broke out over the false impression that the cast for the reading is all-white. (In fact, five out of the 15 Equity performers currently engaged are nonwhite.)

Photographer Puts Her Images In Public Domain; Getty Picks Them Up And Charges Others To License Them; Photographer Sues Getty For $1 Billion

“In December, documentary photographer Carol Highsmith received a letter from Getty Images accusing her of copyright infringement for featuring one of her own photographs on her own website. It demanded payment of $120. This was how Highsmith came to learn that stock photo agencies Getty and Alamy had been sending similar threat letters and charging fees to users of her images, which she had donated to the Library of Congress for use by the general public at no charge.”