Anger At Black Actor Getting Booted From ‘Great Comet’ To Make Room For Mandy Patinkin

This week it was announced that Patinkin would make a now-rare appearance on Broadway, starring for three weeks in Natasha, Pierre & The Great Comet of 1812. To accommodate Patinkin’s schedule, the producers cut short the contract of the actor currently playing Pierre, Hamilton alumnus Okieriete Onaodowan (“Oak”). Some fellow minority actors are denouncing the cast change on social media.

Ousted Met Museum Director Thomas Campbell Lands Next Gig: Getty Rothschild Fellowship

“Thomas P. Campbell, who last month ended his tumultuous tenure as chief executive of the Metropolitan Museum of Art, has been chosen as the second recipient of the Getty Rothschild Fellowship … The fellowship supports scholarship in art history, collecting and conservation, offering art historians, museum professionals or conservators up to eight months of research and study at the Getty in Los Angeles and Waddesdon Manor in Buckinghamshire, England.”

The Essential Michiko Kakutani Reader

“Below are highlights from Kakutani’s tenure at the Times – her reviews of major novels and autobiographies, her obituaries and appreciations, her profiles and essays. Together they represent a vigorously led life of the mind, a crash course in contemporary literature and a tour through the zeitgeist of the turn of the millennium.”

Eric Booth: Here’s What Democratization Of The Arts Really Means

“For a very long time, the criteria for excellence in the arts have been owned by a particular body of experts who generally have a condescending view of the quality of art developed in community-based and social change programs and projects. These credentialed “experts” hold to a definition of quality largely based in an “art for art’s sake” paradigm. However, this definition loses the connection with the vast majority of people who live in the country, as well as the vast range of arts that is produced here and the range of reasons for which people make art. Art is for many sakes, including but not limited to art’s sake (whatever that restriction means in practice).”