What Hollywood Can’t Touch

“Thinking about [Kiarostami’s] films while watching an American film leads to a sobering realization: all the things that Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.”

How’s Thomas Adès’ Opera Adaptation Of A Buñuel Movie Going?

“The acting, with certain exceptions, is quite restrained. With an opera, one’s doing in a way the opposite and bringing out the latent psychological and emotional meaning. The music underlines the power of the feeling. In some ways, I found that operatic subjects, whether it’s a source that you use or a real-life thing, are subjects that seem to invite a further dimension that in a way would bring them to some kind of new stature.

Why Does Canada Hate Canadians?

“If Canadian curators cannot aspire to eventually manage the museums where they work, or Canadian stage directors need never consider running Canada’s festivals, they will not give their institutions the best of themselves. They will either slump into the self-fulfilling prophecy of lower expectations or they will go abroad.”