The Cultural Appropriation Wars Come To Bang On A Can

The controversy at the Bang on a Can Summer Festival (aka Banglewood) in Massachusetts broke out over the use of didgeridoos in the 1990 work Thousand Year Dreaming by 80-year-old New Zealand-American composer Annea Lockwood. Several of the festival’s young Fellows raised concerns about Lockwood’s deployment of the indigenous Australian instrument, including, in this performance, its being played by women (traditionally taboo). But those concerns were not shared by everyone there. – New Sounds (WNYC)

Mini Cardboard Theatres: How The 19th-Century English Bourgeoisie Staged Plays At Home

“The characters were laid out on sheets of paper, frozen in dramatic poses … [and] the sets [were] storybook illustrations of extravagant palaces and howling wildernesses, to be slotted in and out of the back of the theater, behind the cavorting characters. The scripts that came with them were as miniaturized as the stage.” – JSTOR Daily

The Fascinating Ways How An AI Machine Learns Ideas From Stories

“Genesis was capable of making dozens of inferences about the story and several discoveries. It triggered concept patterns for ideas that weren’t explicitly stated in the story, recognizing the themes of violated belief, origin story, medicine man, and creation. It seemed to comprehend the elements of Crow literature, from unknowable events to the concept of medicine to the uniform treatment of all beings and the idea of differences as a source of strength.” – Nautilus

Almost All Languages Have Some Version Of The Expression, ‘It’s Greek To Me’

Spanish, Portuguese, Swedish, Norwegian, and Dutch, along with English, assign Greek this particular honor. In the Baltic languages, it’s Spanish; the Bulgarians use “Patagonian.” And the Greeks? They, along with more nations than any other, use Chinese to signify the incomprehensible. Dan Nosowitz looks into the origins of the expression. – Atlas Obscura

How Do Bubbles Happen? When The Stories We Tell Get Detached From The Evidence

“Bubbles inflate as the distance between fiction and reality increases. Contexts – such as investor liquidity, regulatory frameworks and cultural and macro-economic factors – establish boundaries on how far our stories can depart from reality. But entrepreneurs are also creatures of context, and some are better than others at ‘entrepreneuring’, stretching the limits of plausibility and maximising time for their imagined realities to catch up to their promises.” – Aeon