Sculptures By ‘Soviet Henry Moore’ Smashed By Orthodox Zealots For Being ‘Blasphemous’

“The exhibition, called ‘Sculptures that We Don’t See,’ showed works by Soviet sculptors that did not see the light of day during the Soviet period because they were non-conformist. The show … included some works with religious themes including a crucifixion bas-relief” by Vadim Sidur which was a target of the vandals.

Gore Vidal – A Life In Feuds

Capote. Mailer. Buckley. Hitchens. “As he put it himself,” writes longtime friend Jay Parini, “‘I am at heart a propagandist, a tremendous hater, a tiresome nag, complacently positive that there is no human problem that could not be solved if people would simply do as I advise.’ That he was also a brilliant novelist and essayist was often beside the point.”

For Government Arts Agencies, A Problem With Contracts And Staffing

“Every weekday for the past two and a half years, Ariel Wilson Cetrone showed up for work in the morning at a small District government agency, poring over grant applications and performance reviews for the arts projects she oversaw. Her name was listed on the staff directory on the agency’s Web site, she had a D.C. government e-mail address, cell phone, and business cards, and put in 40 hours just like everybody else. But she wasn’t like everyone else.”

A Town Buys An Artist’s House And Vows To Restore It, And Then, Well, It’s Complicated

“Henry Varnum Poor, who died in 1970, was once among the country’s best-known painters and potters, and his work is owned by museums across the country, including the Metropolitan Museum of Art, the Cooper Hewitt and the Art Institute of Chicago. He built the main part of Crow House in 1920 and 1921, using chestnut tree trunks as beams and hauling rocks from a nearby sandstone quarry in a Ford Model T.”

The Swiss Movie Fest That Gives Life To Indie Chinese Filmmakers

“Locarno has emerged as one of the most important Western festivals to support Asian film, particularly works without big box-office prospects. For mainland Chinese filmmakers, that kind of affirmation from foreign industry insiders has become more crucial in recent years, as various levels of government under President Xi Jinping carry out the broadest crackdown on free expression since 1989.”