‘Cloud Gate’-Gate Is Far From Over

Artist Anish Kapoor to Chicago Mayor Rahm Emanuel: “Creativity in all walks of life is hard won. It is incorrect to accept that we should allow for it to be undermined or stolen and therefore give it little or no value. Chicago will lose from this thievery. We cannot let this happen.”

The Neuroscience Of Drumming: Why Drummers Drum And What It Does For Them

Drumming ultimately has therapeutic value, providing the emotional and physical benefits collectively known as “drummer’s high,” an endorphin rush that can only be stimulated by playing music, not simply listening to it. In addition to increasing people’s pain thresholds, Oxford psychologists found, the endorphin-filled act of drumming increases positive emotions and leads people to work together in a more cooperative fashion.

“Sesame Street” Move Makes Some Wonder About Future Of PBS

“For Sesame Street in particular, the shift toward streaming has meant a sharp decline in DVD sales, one of the key sources of revenue for the program (which only got about 10% of its funding from PBS). In 2014, Sesame Workshop lost $11 million, and its operating revenues were down by close to 14%. That trend meant it essentially had no choice but to do the deal with HBO.”

Think Accommodating The Arts To Audiences With Disabilities Is Simply About Building Ramps? Here’s A Little Imagination

“In disability circles, we are reminded to always lead with the person first — it’s better to say “a person who uses a wheelchair” vs. “a wheelchair user.” (The only exception is in the deaf community, where many want to be referred to as a “deaf person.”) With artists, I am reminded to always lead with the person and art form, and then add an identifying contextual tag when and where appropriate.”

Audience Engagement? Everyone’s Talking, But What Does It Mean?

“As ongoing technological and demographic changes have altered the relationship between arts organizations and that of artists and the audiences for their work, the value proposition offered during the latter half of the 20th century is in many cases changed and less relevant. Many arts groups therefore struggle with diminishing audiences and instability as the connection between the arts consumer and the arts offerer has frayed.”