The World Premiere Business

Everybody wants to be first with a play. Premieres make more news, attract more grants and confer more prestige. There’s often money involved–the theater premiering a play sometimes gets a piece of the subsequent action. It’s understandable–and even applicable to other professions. Journalists prefer to break stories than follow up on news already seen elsewhere. But the facts are the facts: I can’t tell you how often a New York theater will claim the American premiere of, say, an English play that we have already seen in Chicago.

All The World’s A Stage (On London’s Theatres)

“The national conversation in Britain these days seems to be taking place on stage: If these are great times for theater, they are grim times for reality, so you leave the theater both exhilarated and despairing. Play after play took up the same themes: the desperate economic underclass, the greedy upper class, dangerously disappointed immigrants, crumbling marriages, drugs, resentment of America, disaffection and decadence everywhere – what the English call, wryly and ironically, ‘happy families’.”