Linguistic decline is the cultural equivalent of the boy who cried wolf, except the wolf never turns up. Perhaps this is why, even though the idea that language is going to the dogs is widespread, nothing much has been done to mitigate it: it’s a powerful intuition, but the evidence of its effects has simply never materialised. That is because it is unscientific nonsense. – The Guardian
Tag: 08.15.19
What Happens When You Have To Cancel A Festival
In the enduringly expensive world of the multi-day music jamboree – where power bills alone can reach £100,000 for a 10,000-capacity event – ticket refunds are just one problem. – The Guardian
The Squares Who Saved Woodstock
A big part of the 1969 festival’s legend is that no one involved had any idea how big it was going to get and how many people would show up, and the organizers were utterly unprepared. “Woodstock was saved at every step of the way by decidedly non-groovy regular people” — from Max Yasgur, the law-and-order Republican who rented his farm to the festival at the last minute, to the citizens of Bethel, NY who hard-boiled hundreds of thousands of eggs and sent canned goods when organizers ran out of food on the second day. – The Washington Post
The Poem On The Statue Of Liberty Has A Rather Complicated History
“The New Colossus” (“Give me your tired, your poor, …”) was not mainstream American sentiment when Emma Lazarus wrote it in 1883 (one year after the Immigrant Act and the Chinese Exclusion Act). Indeed, it was somewhat radical, and she was inspired by the work she did with the despised refugees who were flooding the U.S. in her day (Jews from the Russian Empire). Slate history maven Rebecca Onion talks with Lazarus biographer Esther Schor about the poem and how its reception has changed over the decades. – Slate
Latinos Aren’t Visible Enough In American Popular Culture. Trump And El Paso Show Why That Matters
Carolina Miranda: “If ever there were an urgent moment for the various culture industries — film studios, theater companies, art museums and TV production companies — to act on issues of diversity and inclusion, that moment is now. And not because diversity is some feel-good thing that makes for a nice talking point during Hispanic Heritage Month, but because rendering an entire segment of the population invisible makes the cultural arena complicit in a marginalization that is entering increasingly dangerous” — literally dangerous — “territory.” – Los Angeles Times
Unlike Previous Presidents, Donald Trump Seems Not To Care About Music
The one art form that interests Mr. Trump is the art of the deal, though the book about it published under his byline was ghostwritten by someone else. Its only reference to music is hostile: “I punched my music teacher,” Mr. Trump recalls, “because I didn’t think he knew anything about music and I almost got expelled.” – Baltimore Sun
Kennicott: How Seeing Video At The Barnes Foundation Made Me Reconsider The Whole Place
“It took seeing the museum’s powerful survey of Bill Viola’s rich, deep and deeply moving video work to fully understand what is so hollow and dispiriting about the main galleries of the collection, which hold an invaluable collection of Impressionist and post-Impressionist art assembled in the first half of the previous century.” – Washington Post
Prejudging The Movies – When The “Buzz” Gangs Up
“Today, the forces of entertainment marketing, social media and grievance culture are increasingly colliding, with the casualty being the movies themselves. Why wait to actually see “The Irishman,” Martin Scorsese’s long-gestating project about Jimmy Hoffa and the mob, when you can start fact-checking it months before it opens?” – Washington Post
When Kanye Dissed Taylor At The VMA Awards Ten Years Ago And Changed Pop Culture
Everyone had an opinion about what Kanye did. The VMAs were viewed by 11 million people that year, though the crush of coverage after the fact was more comparable to that of a Super Bowl, which typically gets 10 times as many viewers. – Washington Post
What’s Going On In This Merce Cunningham Masterpiece? Nothing.
“Nothing but the world outside the human one.” Alastair Macaulay offers an analysis (if that’s the right word for a Cunningham piece) of the 1958 work Summerspace. – The New York Times