Janice Tchalenko, Who Has Died At 76, Bridged Art And Commerce With Her Ceramics

In tune with her socialist politics, she created art for, and with, the people – but she also “revolutionised the field, shocking many studio potter colleagues, by evolving glazes of great richness and depth of colour to adorn reduction-fired stoneware; painting, sponging and slip-trailing complex semi-abstract decorative schema on bold simplified shapes; using piscatorial and amphibian casts as handles and knops; and taking inspiration from the ceramics of the Middle East, from the capricious mannerist Bernard Palissy, and from European rococo earthenware and porcelain and 19th century art pottery.” Whew.

Amazon May Be About To Buy A Movie Theatre Chain, And Wow, Are There A Lot Of Reactions

If Amazon does buy Landmark, will it just show its own content? Probably not – Amazon Studios are moving away from arthouse, award-winning content for more popular fare. One (terrifying to movie fans) option: “Esports and other forms of live-gaming, Ark and VR location-based experiences — communal entertainment in the 21st century is evolving past just sitting in a darkened theater quietly watching the same two-hour film as the strangers next to you. A company such as Amazon could take these spaces and outfit them for that purpose.”

London’s National Theatre Commits To Telling Actors If They Haven’t Been Cast

“It is vital that we pay respect to the actors we meet by always acknowledging their work and contribution to the casting process, which is why the NT wholly supports the #YesOrNo initiative.” He added that while the NT is not always able to make decisions right away, it will let actors know if they have been successful as soon as possible. The #YesOrNo campaign was started after actors criticised the practice of not telling auditionees if that had been unsuccessful.

Morality And US Higher Education, A (Fascinating) History

The transformation of American colleges and universities into corporate concerns is particularly evident in the maze of offices, departments and agencies that manage the moral lives of students. When they appeal to administrators with demands that speakers not be invited, that particular policies be implemented, or that certain individuals be institutionally sanctioned, students are doing what our institutions have formed them to do. They are following procedure, appealing to the institution to manage moral problems, and relying on the administrators who oversee the system.

Clues To How Max Hollein Will Run The Met Museum?

Hollein, who as of this August is the Met’s tenth director, strikes many people as being preposterously well qualified for the position. Forty-nine years old and armed with degrees in art history and business administration, he has already directed five museums and overseen the fund-raising and building of a new wing for one of them. He’s curated shows that range from old-master art to Pablo Picasso and Jeff Koons, and delivered excellent admissions. He gets along equally well with artists, curators, board members, donors, and scholars. The only downside to his appointment is that he’s not a woman.

Why Is Chinese Art Around The World Being Stolen?

In the face of China’s repatriation campaign—and the recent robberies—museums are now scrambling. Some have stood their ground, arguing the legitimacy of their acquisitions or touting the value to the Chinese of sharing their culture abroad. Others have quietly shipped crates of art back to China, in hopes of avoiding trouble with either the thieves or the government.

Fifty Years After An Earthquake In Italy: A Radical Public Art Experiment

While such “Concrete Utopias” are now getting attention in museums, it was actually the concrete Utopian city of Gibellina Nuova that became an open-air laboratory for assessing the healing capabilities of public art. Today, 50 years since the earthquake struck, many look back on Carrao’s radical experiment in civic engagement, rehabilitation, and unification as a cautionary tale. But new efforts are now underway to realize a more pragmatic version of that utopian dream.

If There Can Be A Single Book That Defines Iran And Iranians, It’s This One

The 11th-century verse epic Shahnameh (Book of Kings), the longest poem ever written by a single author (Abolqasem Ferdowsi) is perhaps the single most important source of the history and lore of pre-Islamic Persian civilization. It’s also considered the founding work of the modern Persian language, and some give it credit for the language’s survival.