“In the wake of the controversy over removing American monuments to the Cult of the Lost Cause of the Confederacy, Memento Park is not a bad model for us to consider following now — although certainly there are others. The dispute, which exploded into bloodshed, death and grinding national shame in recent days, demands hard thought. Decisions need to be made. Unlike sculpture, civic monuments are less the product of an individual artist than they are collaborations of entire societies. Civic monuments solicit a collective moral response. They invite an audience to affirm and applaud what it sees.”
Tag: 08.17.17
What Should We Do With Books We Just Don’t Understand?
Could the book that initially seems plain wrong to us be precisely the one that allows us to understand something new about other people?
MoviePass Is Trying To Be The Netflix Of Movie Theatres. It’s A Daft Plan. (Or Is It?)
“AMC has come out guns blazing, even going so far as to include a solid alchemy burn in its press release trashing the company’s plan. As AMC points out, MoviePass — which buys tickets directly from the exhibitors, then redistributes them to its subscribers by way of a MoviePass-specific debit card — will lose money on every customer who sees more than one movie a month. So what’s MoviePass’s angle here? Is this a strange form of cinematic philanthropy? Or do they have a plan?”
Report: Once Red-Hot Chinese Art Market Is Struggling To Revive
According to a new study by artnet and the China Association of Auctioneers (CAA). Incidences of non-payment rose seven percent in 2016, and the number of overseas auction houses offering Chinese art and antiquities fell for the first time in seven years.
The ‘Voice Of Choice’ For Audiobooks
“Mr. Guidall is the undisputed king of audiobooks: more than 1,300 so far, with a stack of new prospects beside his bed awaiting his attention. … He’s a bit disdainful of some of his competition in the audiobook world. ‘They’re just reading out loud,’ he said. ‘They don’t have an emotional underpinning. There’s a rhythm to speech in terms of what’s implied. If it’s raining in the book, there’s got to be something about the voice that evokes the rain.'”
University Of Utah Introduces Its New MFA In Ballet
“This fall, the University of Utah’s School of Dance welcomes the first class of candidates to its newly reinstated Master of Fine Arts in Ballet program, currently the only ballet-specific MFA in the country.”
Spectacle Of Hate: What We Can Learn From White Supremacists’ Long And Careful Cultivation Of Their Own Aesthetic
“The alt-right’s Tiki-torch, khaki-pants parade on Friday night has birthed many a ‘Hitler luau’ joke.” Yet, explains Rebecca Onion, white supremacist groups in the US, especially the two incarnations of the Ku Klux Klan, have a long history of deliberately making their physical appearance silly and using that silliness to help them get away with mayhem and murder.
Web Journalism’s ‘Pivot To Video’ Is Not – **Not** – Because Of Audience Demand
In a much-discussed Twitter thread, Josh Marshall of Talking Points Memo reminds us that online news consumers, including Millennials, prefer their news in print (otherwise, why would so many sites resort to autoplay?) and explains why media company after media company is ignoring that preference (and laying off countless journalists in the process).
There’s A New Generation Of Film Composers, And You Can Hear The Difference
“If this year’s Academy Award nominees for best score are any indication, new blood is beginning to course. Justin Hurwitz, who won the Oscar, is only 32 – and La La Land was his third score for a feature film. Mica Levi, 30, was nominated for her second feature, Jackie. Moonlight composer Nicholas Britell, 36, scored his first major film in 2015. But it’s not just the relative youth and wetness-behind-the-ears that are noteworthy. These composers, and several others, are shaking up the sound of Hollywood. Film scores are starting to have personality again.”
Extremist Found Liable For $3.2 Million For Destroying Shrines In Timbuktu
“On Thursday, the International Criminal Court ruled that former rebel Ahmad al-Faqi al-Mahdi, the man convicted of ordering the attack on the ancient landmarks in Timbuktu, was required to pay ‘individual, collective and symbolic’ reparations of up to $3.2 million (2.7 million euros). Al-Mahdi was jailed last September for nine years by the Hague-based court after he pleaded guilty to ‘intentionally’ directing attacks on nine historic Timbuktu mausoleums and its Sidi Yahia mosque.” He is the first person to be convicted of cultural war crimes by the ICC.