“For me, there’s no competition between pleasure and analysis. And there never was. That might be the self-selecting answer as to why I became a critic. At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff.”
Tag: 08.18.15
Phoenix Art Museum: New Director, New Direction, Big Staff Turnover
In recent months, more than a dozen employees have left the museum, which currently has 58 administrative workers with another 79 in customer-service positions ranging from retail to security guards.
Taking To Kickstarter, A Major Architect Wants To Fund Activist Public Art
The Kickstarter campaign is as much about activism as it is about funding—an increasingly popular tactic in the architecture world. “You could say the whole idea of the project is an exercise in radical transparency. What the project does is make blatantly legible a carbon footprint that is invisible, and only exists in the form of numbers and specifics and news.” The point of the tower is to raise environmental awareness. By asking the public to contribute, the firm is putting it to the people to decide if they want a visual representation of pollution on the skyline. It also detaches the project from any corporate influence.
Back From The Brink? Atlanta Symphony Makes A Turnaround
“Today, the ASO is showing signs of financial health not seen in more than a decade, a condition which musicians and management agree bodes well for restoring the musical standards that had previously elevated the orchestra to critical acclaim, international prominence and a seemingly endless string of Grammy Awards.”
Why Are Major Canadian Theatres Hiring Outsiders Over Home-Grown Talent?
“They have reinforced a message to young Canadian directors that the best way to get ahead at home is to move abroad, and that what audiences think of you in New York matters more to boards than what audiences think of you here. Even minor experience in your field outside this country will trump major experience at home.”
‘Hedwig and the Angry Inch’ Sets Broadway Closing Date
“The producers of the Tony-winning revival announced on Thursday that the show, now starring Taye Diggs in the title role, will finish its Broadway run on Sept. 13 at the Belasco Theater. At that time it will have played 22 previews and 506 regular performances.”
There’s A Fast-Rising Conductor Hiding In Plain Sight In Philadelphia
“Philadelphia Orchestra associate conductors are like U.S. vice presidents: They have huge exposure, a bit of dirty work to do, and ascend to the boss’ job only in dire circumstances. Nonetheless, Philadelphia’s Cristian Macelaru (once associate conductor – new title, ‘conductor-in-residence’) is making a more-than-vice-presidential career for himself” – including important gigs filling in for the late Rafael Frühbeck de Burgos and the ailing Pierre Boulez.
Italy’s Culture Minister Brings In Wave Of New Directors For Museums – Including (Gasp!) Some Foreigners
“Fourteen art historians, four archaeologists, one cultural manager and a museum specialist make up the new directors, who will be at the forefront of cultural reform in Italy. The majority have international backgrounds and half are women, although the culture minister, Dario Franceschini, said nationality and gender had no influence on Tuesday’s appointments.”
Santa Monica’s Troubled Arts Center Brings In New Chief To Shake Up Programming
The Broad Stage, which has seen a serious decline in box office income and donations over the past three years – even as it prepares to open a third performance space next year – has hired Stanford Live director Wiley Hausam. He says, “My sense is that this is a community willing to take artistic risks and do stuff that’s more interesting.”
Why Are So Many Singers Suffering From Vocal-Cord Injuries? A Leading Surgeon Explains
“To get some answers, Vulture reached out to Steven M. Zeitels, the famed surgeon and director of the Massachusetts General Hospital Voice Center who has treated everyone from Adele and Sam Smith to Steven Tyler and Julie Andrews. He walked us through the future of voice management.”