Cambridge University Press Knuckles Under To Pressure From The Chinese Government

This is not great: “In a letter made public on social media on Friday, the editor of the journal, Tim Pringle, said Cambridge University Press had informed him that the authorities had ordered it to censor more than 300 articles related to issues like the 1989 Tiananmen Square massacre, Tibet, Xinjiang, Hong Kong and the Cultural Revolution. The publishing house’s site risked being shut down if it did not comply with the request, the letter said.”

The Passionate Poet’s Path From Farm Life To Chinese Celebrity

Yu Xiuhua lived an isolated life for many years. “Most days she would limp down a dirt lane to a pond to feed the fish. She cut grass, grasping a sickle with hands that did not always obey her, to feed her rabbits. In the shade near the house she wrote at a low table, struggling to control her shaking body — a symptom of the cerebral palsy that she has lived with since she was born in this village in the central province of Hubei. Then, in 2014, her life changed.”

How One Filmmaker Captures Natural Rhythms While Telling An Intense But Low-Drama Story

Lina Rodriguez takes her cues from things like a painting of a cow. “In the 1963 painting, a placid Holstein is framed against a night sky marked by wispy clouds and a full moon. The effect should be pastoral, but instead it is faintly alarming. ‘There’s this calm, blue, unnerving light,’ Rodriguez observes. ‘It captures this idea of uncertainty that I see in his paintings. You see something that is quotidian but there is a threat.'”

Living In One Is Hard Enough, But How Do You Sell A Frank Lloyd Wright House?

Yeah, it’s not easy, surprisingly. “For brokers like Mr. Milne, marketing these houses offers unique challenges, including the need to become a Wright expert, to devise a strategy for separating potential buyers from sightseers, and to develop a convincing argument for why someone should pay a premium to live in a house with small bedrooms and a snug kitchen, cinder-block walls, cement floors, narrow doorways, a carport instead of a garage and, quite likely, no air-conditioning.”

Before You Repost A ‘Toxic Twitter!’ Article With An Approving Comment, Consider This

The story is bigger than a one-off about how “toxic” Twitter has become for some people. “The challenges that the YA community is experiencing are deeply connected to — and reflective of — the challenges Americans face as a nation. Questions of class, culture, and race erupt in the news and on our streets every day, and the white supremacist terrorism on display in Charlottesville is just one small battle in a war that’s sure to claim many casualties.”

Can A Small, Actor-Focused Theatre Make It Today? (Reports Indicate No)

Basically, the problem is money. “The Houston theater scene knew and respected the couple, and critics generally adored the work they did. But a few years in, and after receiving grants to form the company, Lehl and Tobin-Lehl realized that there was no system in place for 4th Wall to grow. Billing themselves as champions of artists, their plea for more support – enough to pay a small, full-time administrative staff – fell on silent ears.”

A High School Student’s Film About Transgender Youth In China Gets Popular, And Gets Banned

Does the film “violate socialist values”? Well, it’s been screened several times in the past few weeks, but wider circulation “is proving challenging in a country where gender identity remains a sensitive topic. Chinese law allows individuals to change their gender on personal identification cards, but only if they have undergone sex reassignment surgery, and this is illegal for people under 20.”

The Monuments Of Tomorrow, And The Artists Who Are Building Them

In Philadelphia, with years of input and discussion, artists are building new monuments. “As a result of the years-long project, a public art project titled Monument Lab,’ will take over the city of Philadelphia this fall. Twenty artists of various ages, races, gender identities and artistic backgrounds will erect monuments in 10 public spaces spread throughout the city.”

Why The President’s Arts And Humanities Council Quit As A Group

Kal Penn: “It became clear that the government became inoperative under this particular presidency. A lot of the work and the agencies have been frozen. There’s a big waste of taxpayer dollars. We had hope, but the president made comments that quite literally were in support of the domestic terrorists. It’s one thing to say you want to serve the programs you were appointed to serve, regardless of politics, but after a certain point . . . we just don’t want our names attached to this in any way.”