This is how the recently revealed program worked in Ireland: “Fixed-term workers in Cork were hired to listen to and ‘grade’ Siri recordings. …Staff then transcribed and ‘graded’ these recordings based on a number of different factors.” Now those contractors – around 300 people – have been laid off by Apple. – The Irish Examiner
Tag: 08.22.19
The New Streaming Reality Is Looking More And More Like The Bad Old Days Of TV
The rise of digital video is bringing back more than just bloated bundles and bills. Many companies are returning to TV’s original business model: selling you anything and everything but the television show in front of you. – The New York Times
How “Sesame Street” Revolutionized Teaching Using Music
Since its inception in 1969, the public television show has redefined what it means to teach children through TV, with music as its resounding voice. Before “Sesame Street,” it wasn’t even clear that you could do that; once the series began, as a radical experiment that joined educational research and social idealism with the lunacy of puppets and the buoyancy of advertising jingles, it proved that kids are very receptive to a grammar lesson wrapped in a song. – The New York Times
Conductor Leo Driehuys, 87 – He Built The Modern Charlotte Symphony
“He was a very strong face for the Charlotte Symphony, but he worked his butt off behind the scenes with the power players in Charlotte. He got people to realize that this was something important to put money into because it was good for the city.” – Charlotte Observer
Fascinating Rights Issue: After Dispute, Taylor Swift Says She’ll Re-Record Her Early Albums
The singer reached an impass with her recording label, which owns masters of the original songs. So Swift says she’ll simply re-record them all so she has control. Travis Andrews untangles the copyright implications. – Washington Post
Comfort Reading: In Defense Of Returning To The Same Book Over And Over
Rebecca Jennings — who confesses to having read each of the Harry Potter books at least ten times and insists she’s “not advocating for laziness” — points to research on “repeated hedonic experiences” that explains why those repeated experiences are hedonic (that means pleasurable) and, in fact, good for you. – Vox
Cruising For Art – The Bizarro World Of Cruise Ship Art Auctions
One gimmick in particular stood out: A pair of works presented turned away from the audience, and sold as one lot, without any idea of what they looked like. “They are going to be two of the most gorgeous works of art that anyone has ever seen,” Borotescu promised the audience. “Once you turn it around, if it’s something you don’t like, you don’t have to keep it.” – artnet
Anish Kapoor’s ‘Orbit’ — AKA Boris Johnson’s Giant Erector-Set/Sliding Board — Is Millions In Debt
The 376-foot sculpture was commissioned by Johnson, then London’s Mayor, for the 2012 Olympics, and he had hoped that it would become London’s answer to the Eiffel Tower (7 million annual visitors) or the Statue of Liberty (over 4 million). But Orbit never even cracked the 200,000-visitor mark — not even after it was bailed out by tycoon Lakshmi Mittal (which is why it’s now named ArcelorMittal Orbit) and Johnson had Carsten Höller add a sliding tube for which admission is now £17.50 ($21). (Maybe that’s why visitorship is down more than 20% from its peak.) Total debt on the contraption is now £13 million ($15.7 million). – Artnet
UK Entertainment Unions Lament Decline In Arts Journalism
The letter states that recent job losses for arts critics at the Guardian and the Evening Standard highlight this issue. It goes on to quote figures from the List magazine that reveal the number of reviews in eight major national and arts titles dropped from 5,134 in 2012 to 3,169 in 2017. – The Stage
Are We Reaching The Point Where Dancers Need Big Social Media Followings Just To Get Hired?
“New York City-based choreographer and director Jennifer Weber once worked on a project with a strict social media policy: ”Hire no one with less than 10K, period’ — and that was a few years ago,’ she says. ‘Ten thousand is a very small number now, especially on Instagram.’ … It’s unsurprising that profit-driven dance enterprises lead the pack when it comes to leveraging artists’ exposure; policies at nonprofit dance organizations are generally less defined or even in place. (Multiple major ballet companies declined to speak with us on the record for this story.)” – Dance Magazine