Stolen Matisse Returned To Venezuelan Museum

“The Venezuelan museum, which had bought the Henri Matisse painting for about $500,000 from a New York gallery in 1981, reported that it had been stolen in December 2002 — apparently swapped for a forgery after it was lent to an exhibit in Spain. But a Miami FBI agent who has led the investigation to recover the work confirmed Wednesday that it was actually stolen sometime before September 2000, and spotted in Paris a year later.”

Did Someone Just Try To Start A Classical Music Critics’ War In Dallas?

In a 1,274-word online column titled “Classical Music Criticism in Dallas: It’s Time for a Makeover”, D Magazine’s Catherine Womack goes after The Dallas Morning News‘s Scott Cantrell for a 55-word blog post – a quick little kvetch about the word maestro – that Womack calls “insulting and condescending towards both enthusiastic audience members and The Dallas Opera’s newly appointed principal guest conductor, Nicole Paiement, who happens to be a woman.”

What People Cured Of Blindness See

A 17th-century thought experiment asks “about a person, blind from birth, who could tell apart a cube and a sphere by touch: If his vision were restored and he was presented with the same cube and sphere, would he be able to tell which was which by sight alone?” Dr. Pawan Sinha, who has organized sight-restoring surgery for hundreds of blind children in India, has an answer.

Syrian Refugee Take On “The Trojan Women” Scuttled As U.S. Denies Performers Visas

“It had the potential to be one of the most galvanizing cultural events of the season: a dozen Syrian women, refugees from that besieged country, performing in Washington a version of a 2,500-year-old Greek tragedy revised to include their own harrowing stories. But now the … State Department rejected the women’s applications for entertainers’ visas for the performances … because it is not convinced that the women would leave.”

What We Really Get From Learning History

Adam Gopnik: “The best argument for reading history is not that it will show us the right thing to do in one case or the other, but rather that it will show us why even doing the right thing rarely works out. … What history generally ‘teaches’ is how hard it is for anyone to control it, including the people who think they’re making it.”

The Man Who Made Off With John Updike’s Trash

“[Paul] Moran has kept thousands of pieces of Updike’s garbage – a trove that he says includes photographs, discarded drafts of stories, canceled checks, White House invitations, Christmas cards, love letters, floppy disks, a Mickey Mouse flip book, and a pair of brown tasseled loafers. It is a collection he calls ‘the other John Updike archive,’ … and it raises fundamental questions about celebrity, privacy, and who ultimately determines the value and scope of an artist’s legacy.”

Sandy Wilson, Composer Of “The Boy Friend”, Dead At 90

The “winsome, nostalgic and tuneful” 1953 musical, which made stars of Julie Andrews (on stage) and Twiggy (on screen), subsequently became a perennial favorite of school and comunity theaters all over the English-speaking world. “He would say that The Boy Friend always held a place in his heart because it gave him the economic means never to work again.”