That Awkward Place Where Science And Religion Meet

“Why is the universe so well suited to our existence? The weakest answer is that it’s just a brute fact. If the constants of nature were any different, then we wouldn’t be here to ask why we’re here. The strongest answer verges on theism: The cosmological constant is so improbably small that a godlike fine-tuner must have fashioned it into existence.”

Dancing With Technology Amplifying Movement From Above

One line of experimentation has involved electronic shadows on the stage floor, an effect that can be hard to see from the seats of many conventional theaters. That’s not a problem at the Guggenheim, where the audience is above the dancers. Here’s how it works: An infrared camera scans the dancers’ outlines, 60 frames per second, even as they move, and transmits that information to a computer, which then projects images around the dancers. As Mr. Simkin explained during a recent rehearsal, the speed of the computer processing is crucial. “If there is a lag, the brain sees it as a technological trick,” he said. “If there is no lag, as we can do it now, it is like magic, giving another layer to the movement — like a big dress, my father says.”

Artist To Swarm Philly’s Ben Franklin Parkway With Lantern-Covered Pedicabs

In a new project titled Fireflies, Cai Guo-Qiang, the artist known for (literal) fireworks such as Fallen Blossoms on the front steps of the Philadelphia Museum of Art, will send a fleet of pedicabs swathed in colorful lamps to perform synchronized maneuvers on the city’s grand avenue and then pick up passengers for an evening ride.

Daniil Simkin Creates A High-Tech Dance For The Guggenheim’s Rotunda

“Imagine a nearly ceaseless stream of digital imagery, beginning with unusual shadows. Computer-generated projections envelop the performers with auras as elastic as bubbles, shimmering and rippling at the edges like the hot air of a mirage. Sometimes the shadows linger after bodies exit, like the quick-fading imprint of fingers pressed on pale skin, or maybe like the soul after death.”

Top Posts From AJBlogs 08.28.17

Hurricane Harvey & Museums: Houston MFA, Menil Collection in Relatively Good Shape
This just in from Gary Tinterow, director of the Museum of Fine Arts, Houston, in response to my query about how his institution has been weathering the Hurricane Harvey maelstrom: … read more
AJBlog: CultureGrrl Published 2017-08-28

Brahms and Blood
A few months ago, I wrote about the music that concludes the film A Quiet Passion, and that brought to mind one of the most frustrating endings, musically speaking, that I’ve experienced in a film … read more
AJBlog: Infinite Curves Published 2017-08-28

Jazz/Improv Chicago: Wide-ranging talents, free fests, PoKempner pix
Chicago’s jazz/improvised music scene contains multitudes, last week ranging from the wild yet earnest Liberation Music Collective to veteran piano sophisticate Michael Weiss in trio, as two of Marc PoKempner‘s photos document … read more
AJBlog: Jazz Beyond Jazz Published 2017-08-28