At Philly Live Arts, Money Is The Theme (Onstage And Off)

“Money, the root of much current brooding, can also be a spark plug for artistic thought, and our relationship with it turns out to be a persistent thread running through this year’s Live Arts Festival/Philly Fringe.” That’s true of the the art and also of “the festival, whose budget is tighter this year, given the general economic picture.”

The Sheer Gracelessness Of Stealing Another Writer’s Work

“Histories do not grow on trees. The first person to cobble out a definitive narrative has to do a ton of work. You interview hundreds of people and hunt down documents…. You separate truth from hearsay. Then — with endnotes — you meticulously source all your quotations and odd facts so future scholars will know whence they came.” Unless, of course, you’re plagiarizing.

Michael Mazur, 73, Painter-Sculptor-Printmaker

“[His] restless artistic temperament led him to explore a variety of styles and media, shuttling between realism and abstraction. He produced narrative paintings like Incident at Walden Pond, a triptych from the late 1970s depicting the aftermath of a rape, and, beginning in the 1990s, abstract landscapes based on his own vascular system and on [medieval] Chinese landscapes.”