You Probably Didn’t Know Cheetos Had A Fashion Show

But … they do. The theme: Flamin’ Haute. Why, though? “To be a brand in 2019 isn’t to be just a brand. Everything, our individual selves included, is now so online. Brands must be personas, asserting themselves on every social media platform for clout and relevance, and brands must stand out through experiences and ‘activations,’ like hosting a fashion show or providing themed makeovers. The reward is exposure and attention as the economy of influencers churns on.” – Vice

After Controversy, Jewish Theatre Artists In Britain Form Collective To Draft ‘Best Practices ‘Guide

A few weeks ago, the group said in an open letter that Jews were not sufficiently represented onstage – or offstage, in production teams – in the theatre in Britain, criticism sparked by a production of The Falsettos. What to do about it? Well, the group, now named the Jewish Artists’ Collective, “will draft a best-practice proposal for the industry and open a conversation with both Jewish and non-Jewish artists.” – The Stage (UK)

Are Galleries Finally Welcoming People With Disabilities?

After a massive online protest of the Tate Modern in the recent weeks (“It’s an older work,” the museum first protested when met with the facts that one of its 2002 – so old, who knew people used wheelchairs 17 years ago, ahem – pieces didn’t have a ramp for wheelchair users) – it’s clear that places like the Wellcome Collection stand out from the crowd, and are pushing other galleries and museums to consider their accessibility as well. – The Guardian (UK)

Critic Writes Incredible Essay About Pop Singer; Pop Singer Hits Back On Twitter; What Happens Next Will Shock You

Or not. Ann Powers, NPR’s music critic, published this piece about the singer Lana Del Rey, and Del Rey tweeted some of her displeasure on Twitter, and then her stans – super fans – started to attack Powers. “The slap-back backfired — not only did Del Rey get called out, but her tweets drew people to a story that many might have missed — in part because it was so uncalled-for, but also because it revealed a fundamental misunderstanding of criticism.” – Los Angeles Times

The Dances That Shook The World

What freaked out Elizabethan England? A dance from (gasp!) Italy, of course, where “a man clasped his female partner tightly around the waist with his left hand, took hold of the busk (the rigid point on the corset below her bosom) with his right, and lifted her high into the air so that his thigh was under her bottom.” Scandalizing! – BBC History Magazine