Finding Yourself? That Assumes There’s A “True” Self To Be Found. There Isn’t

“Finding one’s true place in the world is a massive trope, not just in film and theatre, but also in literature, education and motivational seminars – any place where young people are involved. In all these cases, the search for the ‘self’ is dubious because it assumes that there is an enduring ‘self’ that lurks within and that can somehow be found. Whereas, in fact, the only ‘self’ we can be sure of is one that changes every second, our decisions and circumstances taking us in an infinite number of directions, moment by moment.”

Art Fairs Need Reinventing

“Art fairs represent as much as one quarter of total annual art sales worldwide—the figure is slightly over $13 billion annually. And fairs account for over 40 percent of most galleries’ annual revenue. Total art fair attendance numbers are in the millions and will only increase. If we accept that fairs are a kind of new cultural institution, cultural institutions of the future, say, then we should ask ourselves: What do we want these new cultural institutions to look like and how can they serve this diverse and growing audience?”

How AI Machines Are Learning To Create Music Audiences Respond To

“This very simple idea: can you have someone making something with a generative model, putting it out there, but then taking advantage of the fact that the feedback they get? “Oh, that was good, that was bad.” That feedback that we get, the artist can learn from that in one way, but maybe the machine-learning model can learn from it as well, and say, “Oh, I see, here are all the people and here’s what they think of what I’m doing, and I have these parameters.” And we can set those parameters vis-à-vis the feedback, using reinforcement learning, and we’re working on that, too.”

Do Critics Make It Difficult For Non-Traditional Theatre Companies To get Attention?

“A Boston critic informed me that my touring theatre company’s productions need to stay in one place for longer in a venue that is “convenient” and “familiar,” otherwise they will not come see or review the show. This ideology not only directly contradicts our mission as a touring theatre company, but it supports the misconception that theatre is only for those who can afford to go to those expensive venues (where it is more costly to produce and thus demands that the company sell tickets) and/or who have the time and money to spend to travel to those venues as well as pay the higher ticket prices. This approach to viewership directly encourages the label of ‘elitist’ to our medium.”

The Oldest Jazz Band On The Planet Plays On In Shanghai

Its six wizened members range from a relatively youthful 63 to a scarcely believable 97-year-old trumpeter. Jazz is more readily associated with New Orleans or New York than Shanghai, but the Chinese city has its own proud jazz heritage that flickers on. The Peace Hotel, completed in 1929 and a prime example of art deco architecture on Shanghai’s historic riverside Bund area, is in many ways central to it.

The Ten Greatest Hal Prince Broadway Productions, Ranked

Rachel Shukert: “It’s easy for such a list to seem like a list of the ten best Broadway musicals, period. Prince’s contribution to the American theater is so vast, so elemental, that it feels a little bit like ranking the ten best colors. A case can be made that green is a better color than yellow, but without both of them, the rainbow as we know it would cease to exist. Still, I’m always up for a challenge, particularly one that will engage and perhaps, enrage, the show-biz multiverse known as my Twitter feed.”

Was This Man The Mahler Of Mexico?

Silvestre Revueltas “wasn’t exactly a nationalist; folk music didn’t much interest him. He did, however, relish the popular idioms of his land. His music may call to mind Stravinsky at certain times, Mahler at others, as well as Bartók and Edgard Varèse, yet pulsing through its pages are the soulful sounds of the bands playing across the Mexican countryside, in villages and on ranches. This isn’t fusion so much as it is a celebration of both high and low, the refined and the rustic. What makes his body of work all the more astonishing is that Revueltas largely produced it during one turbulent decade – the final 10 years of his life.”