Christiane Eda-Pierre, France’s First Black Opera Star, Dead At 88

Born in Martinique to an accomplished family (an aunt was the first black female student at the Sorbonne), she first made her mark in coloratura roles such as Leïla in The Pearl Fishers and the title role in Lakmé. She went on to have a stellar career in Paris and abroad, noted especially for Mozart, Rameau (she sang in the first modern revivals of several of his operas), and contemporary works (she created the role of the Angel in Messiaen’s Saint François d’Assise). – Barron’s (AFP)

Violinist Suing Former Shanghai Quartet Colleagues Over Dismissal

In March of this year, Yi-Wen Jiang posted a comment on the Chinese social media platform WeChat in response to a post by San Francisco Symphony associate principal viola Yun Jie Liu. Jiang’s comment, which went viral, was denounced by some Chinese media outlets as ’racist’ and led to a parting of the ways between Jiang and his fellow Shanghai Quartet members. – The Strad

Pioneering Tuba Virtuoso Constance Weldon Dead At 88

Believed to be the first woman to play tuba in a fully professional orchestra in the U.S., she was hired by the Boston Pops in 1955, after her second time at Tanglewood, and went on to hold positions in the North Carolina Symphony, the Netherlands Ballet Orchestra, and the Kansas City Philharmonic. (For a time, she was acting principal tuba for the Royal Concertgebouw Orchestra in Amsterdam.) A Florida native, she spent most of her career, more than 30 years, at the University of Miami and the Miami Philharmonic. – The New York Times

Longest Concert In History Just Had Its First Chord Change In Seven Years

Back in 2001, a group of people decided to take the tempo direction in John Cage’s 1985 work As Slow As Possible to an extreme and began a performance (of the composer’s 1987 arrangement for organ, Organ²/ASLSP) intended to last 639 years. (Since the score opens with a rest, the first notes didn’t actually begin sounding until early 2003.) On Sept. 5, which would have been Cage’s 108th birthday, performers executed the first chord change since 2013; it was the 14th since the concert began. Catherine Hickey reports on how it was done (and yes, there was a crowd). – The New York Times