Can Neuroscience Help Us Understand How We Understand Art? Maybe, But…

“These days neural approaches to art — so-called neuroaesthetics — are all the rage. We find it somehow compelling to think that the brain holds the answers to the questions about, well, everything that matters to us, including art. It’s hard not to be impressed by the excitement scientists feel as they try to hunt down aesthetic experience in the brain using the advanced methods and technologies of cognitive science. But art is an elusive quarry, and it leaves its clumsy predator flailing in the dust.”

What’s It Like To Be Inside The LA Philharmonic’s Virtual Reality Machine?

There are a bunch of nice aspects of the program. Depending on “where you are,” the balance of sound changes, like it would in real life, so you hear more viola if you’re near the violas, more flute if you’re by the woodwinds, etc. The L.A. Phil also added abstract visualizations of the music to give viewers something else to look at while they listen. For me these elements were distracting, but I can see how they might add engagement for someone who is new to watching “live” classical music.

LA Philharmonic – The New Virtual Reality Orchestra

“I stood on the moon with Microsoft’s HoloLens. I perched in the forest as Reese Witherspoon wandered by in the movie Wild. And I nearly wept during Lost, director Saschka Unseld’s animated short about a severed robot hand lost in the woods. But no programming has moved me as much as four minutes of classical music put together by the Los Angeles Symphony Orchestra’s crack digital initiatives team.”