After Mysterious Backstage Episode, Former Florida Grand Opera Boss Withdraws From New San Diego Job And Stays In Miami

The La Jolla Music Society, which presents touring classical and dance artists in metro San Diego, announced in late July that Florida Grand Opera executive director Susan T. Danis would become the Society’s CEO and lead its move into a new venue. Seven weeks later, following a “defamatory letter” about Danis that was sent to the La Jolla board, and later retracted, by a former FGO staffer, the vindicated Danis decided nevertheless to give up the job in La Jolla and remain at FGO. George Varga explains (as far as possible).

How Language Shapes Our Perceptions

In some vague, indescribable way, we feel something when we see the first group of words that we may not with regards to the second. Is it just cultural, poetic, or linguistic prejudice that makes us like a some words, and not others? Or is there some other story behind why some words seem to alienate us?

‘Quantum Blue’, A New High-Tech Azure Pigment, Is On Its Way To Market

“The new color uses nanotechnology to achieve an exceptionally pure hue of blue that is best seen under ultraviolet (UV) light, which gives it an otherworldly, radioactive glow. (Without UV lighting, it has an unremarkable off-white appearance.) The key components of the futuristic blue are quantum dots: tiny semiconductor particles usually measuring no more than one millionth of an inch in size.”

How Do You Make Both Characters In A Terrifying Thriller Somewhat Sympathetic?

It’s writing craft, of course – and making sure to have two points of view. Author Zoje Stage: “A lot of the tension in the book comes from the dual perspective of seeing how these two characters interpret the same event differently, which makes people question if one of them is more right than the other.” And then there’s the “European cinema” house setting …

What Could Theatre Do To Work With And Spotlight NonBinary People Onstage And Beyond?

Philadelphia seems to be finding out: “Justice for non-binary people is about naming and acknowledging that we exist in rehearsal, performance, and audience spaces. It’s about creating braver spaces amidst verbal and physical harassment on the street as well as in respectable, progressive establishments. It’s about training companies to understand and respect the non-binary experience before they invite us into the room. It’s about paying non-binary folks for their emotional and intellectual labor when we’re asked for dramaturgical help in a creative process. It’s about theatres doing their own research before expecting non-binary folks to educate them.”

A DC Critic Declares His Favorite Theatre. Perhaps It’s Instructive How He Chose It

A night at the theater can mean everything from parking and dinner, to elbow room in the lobby and in the seats, all on top of the price of a ticket. The city’s entertainment czars know this; that’s what drove the remarkable expansion of theater after theater a decade ago, with boosted capacities and bigger lobbies. Even now, more money is being raised to convert comparatively new complexes into more fully rounded destinations.

How Penguin Has Strengthened Its Publishing Empire

Privately owned, the company has moved deliberately, while publicly traded competitors like HarperCollins (which is owned by News Corp) and Simon & Schuster (CBS) have had to fend off pressures from shareholders. It has not used its gargantuan size—it controls more than half of the traditional literary marketplace according to many estimates—to take back territory from Amazon. Instead, it has focused on building equity and ensuring that it publishes the next generation of bestsellers.