“Design is one of our most powerful tools in the COVID-19 crisis. The ingenuity, resourcefulness, and generosity of designers and their collaborators worldwide has produced innovations that are helping to protect us from the pandemic, to improve its treatment and to prepare for the radical changes it will introduce to our lives in the future.” – Fast Company
Tag: 09.13.20
Young Japanese Musicians Rally To Save The Art Of The Shamisen
The centuries-old three-stringed lute, a mainstay of traditional Japanese art music, remained popular up at least to the turn of the millennium, but most of the remaining players today are well over 60. With the pandemic paralyzing an already shrinking market, the country’s largest shamisen maker was about to close when it was rescued (for now) by an online fundraising campaign. There’s some hope that a newer style called tsugaru shamisen, livelier and less austere than the genteel music of Kyoto geishas, can keep interest in the instrument alive. – The Observer (UK)
How I Directed A Play From 6,000 Miles Away
Lindsay Posner writes about how, stuck in London thanks to pandemic travel restrictions, he fulfilled his contract to direct Twelve Angry Men in Tokyo, thanks to Zoom and an ace translator and assistant director. – The Guardian
Old White Lighthouse Gets Wildly Colorful New Paint Job (And Some Critics Blanch)
“For almost a century, the lighthouse, near the Cantabrian town of Ajo, was a mute, monochrome sentry beaming its light out over the Atlantic. Now … the 16-metre tower is a collision of colours, geometric shapes and animals, which is intended to boost visitor numbers to one of the lesser known spots on the [northern] coast of Spain.” – The Guardian
The “Festival Of Brexit” – Will It Really Bring The Country Together?
Ever since Theresa May announced a huge national event celebrating our departure from the EU, set for 2022 and with a budget of £120m, it’s acquired that nickname, suggestive of drizzle, stale pies and being forced to listen to Rule Britannia (with the words) on loop. Even the organisers are keen to stress that the current working title is actually Festival UK. – The Guardian
Terence Conran, Whose Stores Brought Contemporary Design To The General Public, Dead At 88
“Before Martha Stewart and Marie Kondo were giving advice on household design, before Julia Child was teaching the art of French cooking on television, there was Terence Conran. … He took his ideas around the world and once owned an empire of 90 stores with annual revenue of more than $2 billion. Calling himself a ‘hard-working hedonist,’ he opened more than 50 restaurants, wrote more than 40 books, ran a design studio and later an architecture and urban planning firm. All of it was built on the simple idea that good design leads to better living.” – The Washington Post
Time To Stop Apologizing For Online Performances And Start Turning Them Into A New Genre
Peter Dobrin: “We should think of this as a research-and-development phase long overdue. Online performances won’t sink or swim based on how well they replicate live ones. … More important … is the question of whether a new breed of production designers and directors can give viewer-listeners something different from live performance.” – The Philadelphia Inquirer
Playwright Michael Frayn On British Theatre And The State Of The UK
The European Union was a remarkable human artifact—still is. And for us to smash down our part in it is . . . I suppose you just have to expect that people can’t sustain positive actions for very long. Sooner or later, they just want to behave badly and do something very simple, kick something or hit someone. – The New Yorker
In Praise Of Essential Small Talk
Americans in particular are small-talk artists. They have to be. This is a wild country. The most tenuous filaments of consensus and cooperation attach one person to the next. So the Have a nice days, the Hot enough for yous, the How ’bout those Metses—they serve a vital purpose. – The Atlantic
BBC Gets 15,000 Complaints After Dance Group’s BLM Performance
The dance group, who won the talent show in 2009, took to the stage with a politically charged performance during the ITV show’s semi-finals this month. It depicted a white police officer kneeling on the Diversity star and temporary BGT judge Ashley Banjo, echoing the killing of the unarmed black man George Floyd in the US. – The Guardian