Music Down The Middle

Michael Stern conducts the Kansas City Symphony. In an interview with NPR’s Alex Chadwick, Stern says he believes that Kansas City’s place in the middle of the country puts it in a unique position to do something significant. He sees it as an opportunity to fight for music and culture to be a part of our daily lives.

Paving Over The Matterhorn

“The once untouchable Alps are being turned into a huge and haughty playground for the rich, featuring luxury tower blocks, pyramids, and revolving hotels, as Switzerland’s cantons seek to produce ever bigger and better tourist attractions in a bid to outdo each other. Already home to the highest cable car in Europe, the smaller neighbour to the Matterhorn is soon to be topped with a 117 metre steel and glass pyramid which will take it to a height of 4,000 metres.”

Brazilian Movie Is Hit Even Before It Gets To Theatres

“It wasn’t supposed to be released until Thursday, but for weeks already, pirated copies of the feature film ‘Elite Squad’ — about the shady workings of Rio’s Special Operations Police Battalion — has been a best-seller at street stalls across Brazil. What people have seen in the movie proved so controversial that police tried to keep the film out of theaters.”

The Man Who Lives In A Theatre

Joe Patten was instrumental in saving Atlanta’s old Fox Theatre movie palace from demolitionin 1974, forming a nonprofit to buy the property from Southern Bell. Today, at 80, he lives in a “one-of-a-kind housing arrangement. He lives rent-free in a stately 3,640-square-foot apartment under the onion domes, with 20-foot ceilings, leaded glass windows and balconies overlooking Ponce de Leon Avenue.”

Harry Comes Through For Scholastic Profits

Harry Potter and the Deathly Hallows came through for Scholastic in the first quarter ended August 31, helping to drive up revenue 75%, to $586.9 million. Hallows, along with the six previous Potter titles, contributed sales of $240 million in the period, propelling revenue in the children’s book publishing and distribution segment to $342.5 million from $112.6 million

Let Opera Be Opera

“Opera forever struggles to be cool, and will as long as its stars struggle with their weight. But Washington National Opera’s season-opening La Bohème, a new production that will be simulcast to educational institutions is such a fashion slave that it borders on apologizing for the art form… This production is so uncharacteristic of American opera, it’s a case of bait and switch. Operatic appreciation is fostered through opera. To love it is to accept its quirks – and chins.”