The Trouble With “The Death Of Klinghoffer” Isn’t Quite What You Think

Justin Davidson: “I don’t believe that this imperfect opera denigrates Jews, incites hatred, endorses libels, or casts collective blame. It doesn’t glorify terrorists or justify their crimes. What it does do is embed a spasm of thuggish violence in a broad historical context, a job that Adams, librettist Alice Goodman, and the original production’s director and all-around inspiration man, Peter Sellars, have fumbled badly.”

Can Graffiti Be Copyrighted?

This summer, Miami street artist David Anasagasti “hired a lawyer and filed a copyright-infringement lawsuit, accusing American Eagle of stealing his work and seeking monetary damages. … Lawyers who work in this area say it’s not clear anyone has ever tried this in court. Copyright law, as its name suggests, lays out the rules for when it’s okay to copy something. But does it extend to art that’s on public walls?”

Scottish Referendum: What Are The Ramifications For The Arts?

“With culture already devolved, there was little focus on the potential impact of independence on the country’s artistic scene, with many artists simply focused on the wider picture. The fate of BBC Scotland was one of the few genuine talking points. … I suspect many artists will simply return to creative work and trying to make a living. The campaign is likely to have been a major distraction and an energy-sapping experience. Others will realise they have divided their audience by speaking out.”

Top AJBlogs For 09.21.14

On the Future of the Metropolitan Opera (continued)
AJBlog: Unanswered Question | Published 2014-09-22

DIA Can Play Hardball Too
AJBlog: Real Clear Arts | Published 2014-09-21

More Triumphs And Woes For Frank Gehry
AJBlog: Real Clear Arts | Published 2014-09-19

AJBlog: CultureCrash | Published 2014-09-19
Night at the museum

AJBlog: For What it’s Worth | Published 2014-09-19 Was Adorno Right?
AJBlog: CultureCrash | Published 2014-09-19

AJBlog: We The Audience | Published 2014-09-21

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