The Problems With Cross-Gender Casting In Shakespeare

“The two best justifications for the practice are a relative shortage of major roles for women and a desire to freshen up overfamiliar texts.” Yet, argues Mark Lawson, cross-casting sets carefully wrought father-daughter and mother-son relationships (Prospero and Miranda, Lear, Hamlet and Gertrude) awry, and “if the governing aim of a production is to make the play seem different, perhaps those involved ought to be doing a different play.”

You Know What’s Wrong With Grammar Nazis?

“[They] are incurious about the logic and history of the English language and … have a tin ear for its nuances of meaning and emphasis. Too lazy to crack open a dictionary, they are led by gut feeling and intuition rather than attention to careful scholarship. … In their zeal to purify usage and safeguard the language, they have made it difficult to think clearly about felicity in expression and have muddied the task of explaining the art of writing.”