Talking Strategies For A Regional Arts Fund

“The region’s crowd-pleasing cultural organizations deserve a standing ovation for hosting 15 million visitors each year. Beyond the applause, though, what they’ve really earned is a hand up. That’s the message at center stage in the latest study by the Greater Philadelphia Cultural Alliance. Box-office growth plus economic impact should equal a regional approach to better fund the arts.”

Now In Women’s Lingerie: The Philadelphia Orchestra

“Philadelphians sometimes need reminding by outsiders: Though they’re used to having the world’s largest pipe organ in the downtown Macy’s department store, virtually no similar establishment, possibly worldwide, has everyday organ concerts from Bach to Broadway raining down from the women’s lingerie department.” On Saturday, the Philadelphia Orchestra will give a concert with the store’s Wanamaker organ for “roughly 1,200 listeners seated on the main floor and two successive tiers – and paying $100 to $5,000 a ticket.”

When A Museum’s Windfall Donation Trickles In

“[W]hen a tiny upstart, such as the Claremont Museum of Art, gets a $10-million windfall, it isn’t merely an enhancement. It’s a ticket to transformation.” In this case, however, it comes with a catch. “The bulk of the money will arrive in the form of annuities, trusts and real estate after the donor’s death. Until then, the museum will reap about $250,000 a year.” Given that, how to plan for the future?

Weak Economy Threatens China’s Fake-Art Industry

“In a village in southern China, Wu Ruiqiu is worried about the effect of an economic slump on the art market. He should be. Wu represents artists that make 60 percent of the world’s oil paintings.” Their product? Fakes. “While employees in the city make cheap DVD players, computers and T-shirts, workers here produce Rembrandts, Monets and Warhols — by the millions.”

Juilliard Names A.D. Of Early-Music Program

The Juilliard School’s new graduate program in historical performance will begin next fall. “The artistic director will be Monica Huggett, an English violinist steeped in period performance. … Ms. Huggett had a hand in choosing the faculty, she said, and ‘about 50 percent are people I know and love.’ Several will also be familiar to early-music fans in New York.”