Shakespeare in the Favela

For two decades, the resourceful company Nós do Morro has been presenting professional theater in a hillside slum above Rio de Janeiro. “People from the rich areas of the city will now come here to go to the theater,” says the troupe’s founder. “They might never have ventured to a district like this before.” (Next month the company does Two Gentlemen of Verona at London’s Barbican.)

How to Get Rich Selling Art During a World War

France in 1940 was not the best time to get started in the art business. But Aimé Maeght was living in the unoccupied Côte d’Azur, where “there was not enough art to go around.” Matisse and Bonnard, whose studios in occupied Paris were closed, were nearby and needed income. Thus (with some smuggling thrown in) was a great career and fortune made…

When Disciplines Collide

“[Artist] Martin Creed’s latest piece, Work No. 955, […] though barely three minutes in duration, could well be Creed’s most ambitious piece to date: not only due to the fact that it requires an entire symphony orchestra to realise it, but because it raises fundamental questions about the relationship between music and art in general. We accept that music is a form of art – but is it equally the case that art can take the form of a piece of music?”

Oskar Eustis on Why He’s Producing Sondheim at the Public

“Who else is going to produce him? I’d like to say two things about that. This show [Road Show] has been around and has failed to come to New York. The producing community has let Sondheim down… Secondly, as we kept working on the show, the great themes of the piece started to feel more and more like Public Theater themes to me… Good God, the show is about a real estate bubble that bursts!”