The Art World Seems To Have Fallen Under The Spell Of Marketers (Pssst! Don’t Listen To Them)

“At the risk of being dismissed as naïve, I’ll repeat: it takes eyes, ears, brains, and passion — not an art market degree — to run a culturally meaningful gallery. The problem with the ever-growing barrage of marketing schemes lies in the sentence they all open with: “Art is like any other business.” It isn’t. No two artists require the same approach; I have as many hats as I have artists. If only I was in the business of selling hats.”

Are Apple Stores The 21st Century’s Temples? Maybe So, Says A Cultural Historian

“In more ancient times, when communal experiences were mediated by religion, crowds used to gather outside temples on feast days. … Nowadays, we have Apple Release Day – the Feast of St. Jobs – when faithful customers gather outside Apple stores and await the renewal of a next generation iPhone.” Says NYU professor Erica Robles-Anderson, “It’s so obviously a cult.”

Eighty Years of Penguin Books – By The Numbers

“Before Allen Lane began his publishing house in 1935, good books were the purview of the privileged, costing more than many Londoners spent on a week’s rent. But that all changed when Lane, then managing director of the now-defunct Bodley Head, bought the rights to 10 already popular hardcovers … redesigning each with a uniform set of specs so simple that even small, inexperienced print shops could mass-produce them on the cheap.” (infographic)

How Does A Canadian Artist Sketching Cartoons About The Brontë Sisters Become So Popular?

“A cartoonist and quasi-historian who launched her comic strip Hark! A Vagrant in 2007 while still working at the museum, Beaton has harnessed the power of Tumblr and Facebook and Twitter to become a ubiquitous presence online, where her sketchy, clever, perfectly imperfect strips are often copied, spoofed, remixed and memed by others.”