The Music Changed Everything: A Film Critic On 2001: A Space Odyssey With The New York Philharmonic

Richard Brody: “Kubrick’s movie, which I hadn’t seen since college and always recalled with slight derision for its dated paranoid bombast, came to immediate life … It was the music that effected this change, starting with the excerpt from Ligeti’s Atmosphères. Employed as an overture, it immediately sets a very high bar for the artistic originality required for the movie not to wither and shrink from the screen in full public view.”

Minnesota Orchestra Makes New Contract Offer To Locked-Out Musicians

“The Minnesota Orchestra sweetened its offer to locked-out musicians Thursday, after an 11th-hour fundraising effort led by Marilyn Carlson Nelson, one of Minnesota’s wealthiest people. The latest proposal in the bitter yearlong dispute includes a $20,000 one-time bonus to each musician, to help offset a pay cut that would reduce base salaries over three years.”

Madrid’s Teatro Real Makes Up With Gérard Mortier, Two Weeks After Firing Him

While being treated for cancer this month, Mortier found himself replaced as artistic director of Spain’s largest opera house after suggesting publicly that there were no Spaniards fit to succeed him. Now, doubtless to avoid a lawsuit, the Real has named Mortier artistic adviser. Says the house’s president, “There has been absolutely no firing” – just a switch to a position “with less concrete functions.”

Why American Book Critics Rarely Do Hatchet Jobs Anymore

Lee Siegel: “[The] dissolution of literary ghettos, where the slaughtering review once reigned, … [has meant] that serious negative criticism – there had always been the brisk negative newspaper review – could, for the first time, have real-life consequences. Now that authors could make a living from their advances, a withering takedown could be a blow to someone’s livelihood.”