What We Can Learn From The Art In Eli Broad’s Vault

“Listen to Eli Broad, and it’s a great sin for museums to have art in storage. That’s why he built his own museum (with 1700+ works in storage). Storage is a fact of life with a contemporary collection, where tastes change quickly. Nobody buys 11 Taaffes thinking they’re all going to be on permanent display or constantly on loan. And nobody knows what art-of-our-time will resonate 50 or 100 years hence. A few of today’s artists and works will survive the winnowing of history. Everything else will be in storage.”

Fall For Dance Is A Hit In New York. So Now It’s Moving North

In Ilter Ibrahimof’s mind, this year’s Fall for Dance North is only the beginning of what he thinks the festival can do. In future years, he’s hoping to commission longer pieces and to add a second stage, allowing for more intimate performances. “Toronto is a great place for Fall for Dance because of its extreme diversity, its openness. In a way, it’s almost better-suited to this festival than New York.”

What American TV Tells Us About Our Jobs

“One might expect TV to say about work what The Office says: that what you are obliged to do all day is pointless. … Although associated with the freedom to mute, surf, and binge-watch, TV pays attention not only to what we do when we’re on the clock, it also asks philosophical questions about work and the meaning of life, urging us to demand more meaning (whatever that might be) from what we do for a living.”