Block This: Getting Physical With Virtual Reality

“Shakespeare had it easy. He lived in inherently stageable times: people lived in communities; were largely illiterate and so communicated through speech. … But the world has changed. People are spending more and more time online, some living virtual Second Lives or interacting in chatrooms. If one duty of the theatre is to depict contemporary society, how are its writers, directors and designers to approach virtual reality?”

Is “Cana” Facsimile A Miracle Or A Monster?

“Can — and should — technology right a historical wrong? That’s a question Italians have been asking since a facsimile of Veronese’s 16th-century ‘Wedding at Cana’ was installed on the Island of San Giorgio Maggiore a few weeks ago. At the heart of the debate is the digital re-creation of this vast 1563 painting, which Napoleon’s forces removed from the refectory in the Church of San Giorgio Maggiore 210 years ago and took back to France as war booty.”

In Tania Head’s Story, Echoes Of Lillian Hellman

Tania Head’s dramatic and unsubstantiated tale of surviving the Sept. 11 attack on the World Trade Center brings to mind Lillian Hellman’s self-proclaimed heroism against the Nazis. “Whether from Lillian Hellman’s pen or Tania Head’s mouth, in Europe during World War II or Lower Manhattan in 2001, the mythic power of the stories was the same. Love had given Hellman and Ms. Head the strength to transcend terrors. The similarities do not end there. Neither story has any verifiable link to reality.”

Bypassing Hollywood To The Audience

“This week’s Raindance Film festival in London claims to be the first simultaneously to show its movies via the web. Elliot Grove, its director, claims online distribution gives aspiring filmmakers “an opportunity to find an audience without having to go through the traditional Hollywood system”. It is quite likely that tomorrow’s film directors will emerge from sites such as these without having been through film school at all.”

Yes To Nono

“Like Venice, the city in which he lived and died, Luigi Nono is complex and contradictory. He was at the heart of developments in European modernist music after the second world war, yet his work was rooted in the Renaissance, baroque and classical periods.”