Youth Is Wasted on the Young

Charles McNulty wonders if the one million free theater tickets the British government is providing to young people are going to the right audience. “All joking aside, without the AARP crowd, American theater would have collapsed ages ago. If anyone deserves free tickets, it’s those stalwart patrons on fixed incomes who have made theater a regular part of their lives.”

Company Director Fired For Insufficient Blackness

The Leeds-based Phoenix dance company has fired its director and resident choreographer, Javier de Frutos — mainly because “under his direction Phoenix had ceased to be a sufficiently ‘black’ company. Even though De Frutos is himself Venezuelan and the rest of his company are a completely representative, urban, ethnic mix, Leeds seem to want to put back the clock to the time when Phoenix was a ‘flagship’ black company.”

Providence’s WaterFire Examines R.I.’s Slave-Trade History

“One of Rhode Island’s most celebratory occasions will be tainted next weekend” — well, weather-related delays have since pushed it back to Oct. 4 — “by reminders of one of the ugliest chapters in its history. WaterFire, a nighttime public arts display that draws tens of thousands of people to downtown Providence on weekends in the summer and fall, will reflect on Rhode Island’s role in the trans-Atlantic slave trade….”

When A Doctor’s Descendants Inherit A Patient’s Art

“A Mexican immigrant who spent the last 30 years of his life in California mental hospitals, [Martín] Ramírez, who died in 1963, is considered by some critics to be one of the greatest artists of the 20th century. He never, however, profited from his success — nor, until recently, did any members of his family.” With Ramírez works about to go on view in a New York gallery and at the American Folk Art Museum, and with other pieces in the collection of the Guggenheim, legal wrangling over ownership continues.

MoMA’s Lowry Tops Nonprofit Compensation Survey

“Glenn Lowry, the director of New York’s Museum of Modern Art, was the best-paid chief executive of a U.S. nonprofit art institution last year, with a total compensation package of $1.7 million in 2007.” The runners-up? “Peter Gelb, general manager of New York’s Metropolitan Opera, who had a $1.1 million compensation package and Michael M. Kaiser, president of the John F. Kennedy Center for the Performing Arts in Washington, who made $1.06 million….”