An Opera Director Who Doesn’t Want To Take It Anymore

“Jonathan Miller is in a state of disgruntlement. Despite his congeniality and his mischievous good humor, things are getting him down.” At 72, he says New York, where his City Opera production of “The Elixir of Love” opens Saturday, will soon be crossed off the list of places where he’s willing to work. ” ‘I even have to pay my own hotel. It took three hours to get the papers I need to work here. And another seven hours flying here. And what do I get in return? The New York Times.’ “

Neuenfels A Poor Poster Boy For Free Expression

Has the “Idomeneo” controversy prompted a worthy discussion in defense of inferior art? “Whether or not the production goes forward next month, issues about artistic freedom and intimidation by special-interests groups – all very important – are being raised on behalf of a production that could well be an embarrassment to other daring opera directors, and to opera in general. … Hans Neuenfels, the Berlin ‘Idomeneo’ director, is among the least credible of Europe’s high-concept directors. Though I haven’t seen this production, his past work has exemplified artistic license so out of control that it becomes high-budget provocation.”

The New Leipzig School? What School?

“Ever since the movement’s ‘discovery’ in 2003, when Miami collectors Don and Mera Rubell went on a shopping spree in the former East German city, the New Leipzig School has been the talk of the art town.” But, Blake Gopnik says, a touring exhibition of the Rubells’ collection proves that it’s “not much of a school. There isn’t any shared agenda among its artists or even much in common other than an education at the conservative Leipzig Art Academy. (One thing they do have in common is their male sex. The only Leipzig women on view at the Katzen are in the paintings. They’re often nude.)”

At MoMA, A New Department For “Media”

“New media. Digital art. Interactive installation. No matter what ungainly term you choose, the field of artists whose work falls outside the traditional realms of photography, film, and video is growing. In recognition of that fact, the Museum of Modern Art announced yesterday the creation of a new Department of Media, to be run by a curator from the department formerly known as Film and Media, Klaus Biesenbach.”