Public Radio Moves Into Podcasts For Kids

“The public radio tradition that’s powered the recent podcast boom never invested much in children’s audio. But now that podcasting has allowed for endless shows on demand, audio makers are eager to get their content straight to children’s ears. And the technology that made podcasts possible – the smartphone – has also gifted its producers a golden sales pitch: Podcasts are being pushed as a guilt-free alternative to screen time, a more engaging option than zoned-out YouTube binging or hypnotizing mobile games.”

How San Francisco Lost Its Artists (And What That Means)

“San Francisco is now bohemian in name only. Anger and the anarchist’s persona have given way, under the weight of postmodernism, to politesse and pragmatism. And now more than ever the artist’s world is less in the hands of artists than arts administrators and boards. The new conviction is in negotiation and community building, and seeing everyone, regardless of occupation, on the same continuum of creativity.”

2,000-Year-Old Statue From Palmyra, Damaged By ISIS, Resurrected in Damascus

“The Lion of al-Lāt, … which stretches 11 feet high and weighs 15 tons, was moved to Damascus after Syrian forces recaptured Palmyra in March 2016. Polish archaeologist [Bartosz] Markowski was able to restore the Lion of al-Lāt over the course of two months, and says approximately half of the resurrected statue is comprised of the original.”

Seattle Symphony Hires Thomas Dausgaard As Next Music Director

Meet the new boss, same as the old substitute boss: Dausgaard, a 54-year-old Dane who takes over from Ludovic Morlot in 2019, has been the SSO’s principal guest conductor since 2014. “It was his 2015 Seattle Symphony Sibelius Festival performances,” writes Melinda Bargreen, “that made the tall, silver-haired Dane a popular figure among the city’s classical-music lovers, with standing ovations after every performance, and the kind of connection with players and audiences that conductors dream of.”

Orlando Ballet Searching For Yet Another Executive Director

“The organization, which has faced significant financial struggles, announced Tuesday it is looking for its eighth leader in six years. The difference this time, officials say, is that the ballet has reached a more stable financial position – thanks in part to work by Caroline Miller, who after 16 months in the top job, resigned for personal reasons.” (In this case, that’s not a “to spend more time with family” euphemism.)

Lang Lang Prepares To Give His First Piano-Five-Hands Concert

For Wednesday night’s Carnegie Hall season-opening gala with the Philadelphia Orchestra, the Chinese superstar was booked to play Gershwin’s Rhapsody in Blue with Chick Corea in a seldom-heard two-piano version. Then, this past spring, Lang Lang injured his left arm – he says it was by practicing Ravel’s Piano Concerto for the Left Hand too hard. So he’s bringing in a 14-year-old protégé to play the left-hand part alongside him.

Today’s Pop Music Charts: Completely Transformed (And Largely Without Women Artists)

“The spots on the Hot 100 that aren’t occupied by rappers, DJs, or Imagine Dragons largely belong to interchangeable young men playing R&B for campfires: Ed Sheeran and Justin Bieber of course, but also Charlie Puth, Shawn Mendes, and the second wave of One Direction solo efforts—Liam Payne, Niall Horan, Louis Tomlinson. The pose they strike is of the nice-guy seducer, the suave but puppy-eyed everyboy. It’s true that Cardi B and Taylor Swift have broken through lately with brash, campy cries of war. But it remains to be seen whether their success remains an outlier in an era when pop’s women have often needed to quiet down in order to be heard at all.”

UK National Theatre Introduces Glasses That Caption Performances For Deaf Audiences

The glasses will enable D/deaf and hard of hearing audiences to read live captioning on the lenses during a performance, removing the need for captioning screens in the auditorium. NT director Rufus Norris said the glasses mean that for the first time, D/deaf audiences will be able to attend any performance during a production’s run, rather then rely on the limited number of captioned performances – up to four per show – that are currently scheduled.