How Fascist Ideas Slip In To The Arts

“The fascist tradition of using the arts as vehicles for expanding the movement is visible in the U.S. today, in some cases in eerily similar ways to the original rise of European fascism in the early 20th century. In an interview with Pacific Standard, Ross discussed the ways fascists have historically snuck into mainstream cultural milieus, why progressives sometimes fall for fascist infiltrators, and how entertainment media played a role in the election of Trump.”

How The Ideas And Music Of Morton Feldman Are Incorporated Everywhere Into Steven Holl’s New Lewis Arts Complex At Princeton

“I see the ideas of Morton Feldman’s music everywhere in Steven’s magnificent realization—and not just in the rugs of the Music Building that reproduce the graphic notation of Feldman’s early works. Steven’s architecture embodies the spirit of Feldman’s expansive and mystical late works.”

Fun Facts About Who’s Watching What Where By Streaming

“Of the premium content offered by the Big Three streamers, the most popular shows in September from each were The Handmaid’s Tale (Hulu), The Man in the High Castle (Amazon) and Narcos (Netflix), according to Parrot Analytics. Those three streamers are spending wildly to acquire content from the likes of CBS, Warner Bros., Lionsgate and more, as well as produce their own original shows. Netflix, for example, will plans to spend $6 billion this year while Amazon spends $4.5 billion.”

‘My Fair Lady’ Coming Back To Broadway After 25 Years, With Lauren Ambrose And ‘Downton Abbey’ Star

Lincoln Center Theater will produce the revival directed by Bartlett Sher, whose revivals of South Pacific and The King and I there were enormous successes. Unusually, the actors playing Eliza (Ambrose) and Higgins (Harry Hadden-Paton, who played Bertie Pelham on Downton) are roughly the same age. Also in the cast will be Norbert Leo Butz and Diana Rigg.

Why Diversity In Hollywood Is Extra Important

“What if the world we think we know is only a tiny, myopic fraction of it? What if the things we believe we understand are nothing but learned patterns? We imagine that wanting to be inclusive and cosmopolitan makes us so, but we continue to be produced by and inhabit the structures that create oppression. This is precisely what makes it so important that Hollywood be truly democratic: It represents so much of the inner, the hidden and exceptional, of this country. If there is no space for the visions of the most talented among us no matter where they come from — or how strange their ideas may seem to those who cannot comprehend them — what possible future can we really have but the most ordinary?”

Are There Any Public Memorial Sculptures That *Unite* Americans? Scholars Pick Five They Think Do

As controversy swirls around demands to remove the memorials to the Confederacy and its officers found in many US cities, it’s worth remembering that a lot of those statues “were cheap, mass-produced and exactly the kind of disgrace that [the great memorial sculptor Augustus] Saint-Gaudens condemned. With this in mind, we asked five specialists in American sculpture to select the pieces they regard as the nation’s truly great works.” (For better or worse, all five are in the Northeast Corridor.)

This Ballerina Was A Superstar In South Korea, And She Gave It All Up To Come To DC And Dance For Julie Kent

“Back home, [EunWon] Lee was the National Ballet’s youngest principal ballerina and a dance celebrity. Her performances sold out the Seoul opera house in minutes. … With her lithe form and delicate, childlike features, she modeled for Swarovski jewelry and tossed out ceremonial pitches at ballgames. But it wasn’t enough.

Guggenheim Director Talks About Threats To Staff That Led Him To Pull Artworks From Show

Last week the museum removed three pieces from the exhibition “Art and China After 1989: Theater of the World” following pressure from animal-rights activists; countercriticism followed from artists, curators, and anti-censorship activists. Now Guggenheim director Richard Armstrong has explained his decision: “It was not only the quantity of people’s reactions, but there were a number of them that bordered on ominously threatening, or beyond that. We were obliged to consult with the police.”