Why We Need To Overhaul The Humanities

“By the end of the 20th century, the humanities departments in universities had become closed enclaves. The writing of scholars in these disciplines had grown increasingly dense and jargon-filled, inaccessible to anyone without years of graduate study. For some academics, this enforced isolation became stifling. They sought new forms of expression. Thus literary theorists Wendy Steiner, Frank Lentricchia and Henry Louis Gates Jr. have turned to opera librettos, mystery novels and PBS documentaries.”

LOVE Conquered All: How Robert Indiana’s Sculpture Went From Artwork To Meme To Icon

“With its four letters stacked in a square and its O at a jaunty angle, [LOVE] is so famous that many millions of viewers may not even realise it’s an artwork at all. But it is an artwork – one that hovers over Indiana’s career like a helicopter, and that has obscured almost all his other work over the past six decades.” (If only he’d copyrighted it.)

Why Are Critics These Days So Defensive?

“People who enjoyed what were once known as guilty pleasures have absolved themselves of guilt. Arguments that people should be ashamed of lower-order tastes – like Ruth Graham’s attack on adults who read young-adult books – are actually quite rare. Yet anxiety about all this is pervasive, as if everyone’s high-school English teacher were lurking around the corner, ready to scold us for skipping Middlemarch on the summer reading list.”

A Pop-Up Arts Center In A Calais Migrant Camp

“The venue – a dome-shaped tent dubbed the Good Chance Theatre – runs workshops on writing, drama and choral singing, as well as poetry and spoken word events. It was founded by playwrights Joe Murphy and Joe Robertson, who plan to stage weekly productions created by migrants, as well as host touring productions by theatre companies and artists from around the world.”