A Mo Yan Theme Park: China Has Plans For Nobel Laureate’s Hometown

“One week after Mo Yan became the first Chinese author to win the Nobel prize, proud local officials rushed out a £70 million plan to transform his sleepy village into a ‘Mo Yan Culture Experience Zone’.” An official told Mo’s father, “Your son is no longer your son, and the house is no longer your house. It does not really matter if you agree or not.”

Man Asian Literary Prize Loses Man’s Sponsorship

“Man has sponsored the $30,000 award – won in the past by Chinese author Su Tong, Filipino writer Miguel Syjuco and South Korean Kyung-sook Shin – since it was set up in 2007. But in a struggling [stock] market,” the hedge fund “has decided to ‘concentrate our arts sponsorship on the world-leading Man Booker prize, where our support is about to go into its 12th year’.”

Getty Buys Important Knoedler Archive Documenting A 160-Year History In Art Dealing

“The gallery abruptly closed last year after more than 160 years in business. Now the Getty Research Institute is acquiring for an undisclosed sum the sales books documenting the Hermitage deals, among other resources that make up Knoedler’s vast private archives. The trove of sales books, artists’ letters, telegrams, photographs and rare books will fill up three large shipping containers.”

The Three Sides Of Modern Chinese Literature (They All Won Prizes This Month)

Mo Yan, the new Nobel literature laureate, works in a contemporary idiom and is seen as more-or-less mainstream, mainland establishment. On the other hand, dissident and exile Liao Yiwu, in his speech accepting the Peace Prize of the German Book Trade, said of the People’s Republic, “This empire must break apart.” Meanwhile, Taiwanese poet Yang Mu, winner of the Newman Prize for Chinese Literature, models himself after the medieval Chinese poet-scholars.

By Fattening Up A Bit, Ballerinas Are Saving Their Art And Themselves

Deirdre Kelly: “Medical experts have, since the 1970s when Balanchine-inspired eating disorders first started decimating the ballerina population, quite forcefully determined that ballet’s tyranny of thin is detrimental to dancers’ health. … Ballerinas today are again embracing the breasts and hips which first made them objects of desire way back in the day.”