How Richard Florida’s “Creative Class” Was The Wrong Prescription

Florida’s central aim, as I read it, was to have cities and states rethink industrial policy—but not by ignoring housing, transportation, health policies and other important aspects of running large cities. Rather, I read it as forcing a serious look into the economic consequences of cultural spaces. Sadly, his book and corresponding creative class thesis gave many urban policy professionals the cover to give up on the constellation of policies and remedies aimed at decreasing inequality, and widen the wealth gap.

How Is Country Music Dealing With Its Own Me Too Movement?

Hm. Not that well. “While there have been conversations behind closed doors about certain gatekeepers … there hasn’t been a tipping point like what’s happened in Hollywood with Weinstein. As one singer told Rolling Stone during an investigation that looked at harassment in country radio, ‘Nashville is a town of subtleties. Everything is covered by a friendly gauze.'”

Finding Ink In (The Ashes Of) Apple Trees

This artist makes ink from the things he finds outside, in the city. That’s right, he’s an ink forager. “Logan doesn’t just focus on nature in his foraging; he also makes ink from the detritus. … He stops suddenly, picks up a rusty nail and puts it in his pocket. Rust, he says, can make yellow, red, orange or black.”