Three Dance Companies Hire New Artistic Directors (Here’s How They Did It)

“One of the biggest issues we struggled with as a committee was involving the company dancers in the process. It was a fine line because things tended to get personal. What some dancers failed to recognize was the search committee had a lot of information the dancers were not privy to. It is great to involve everyone in the organization in the process but know where you have to draw the line.”

Backstage Workers’ Union To London’s West End: Make A Better Offer Within Ten Days Or We Strike

“BECTU has been in talks with the Society of London Theatre since July over pay, and wants a deal that includes London living wage – £8.80 – as a minimum for workers on three pay grades that are below that rate, with a 6% rise for all of its other members.” The theatres’ latest offer, a 1.8% raise, was rejected by 97.8% of voters.

How Countess Tolstoy Answered Her Husband’s Most Notorious Novella

“There are two novellas by Sofiya: Whose Fault?, the story of a jealous husband who murders his innocent wife, and Song Without Words, about a depressed married woman who becomes obsessed with a composer and his music, and eventually checks herself into a ‘nerve clinic.’ Song Without Words is a response to The Kreutzer Sonata; Whose Fault? is a systematic rebuttal.”

Musicians Protest, But Rome Opera Refuses To Reconsider Mass Firings

“The first night of the opera Rigoletto was due to go ahead at the Rome Opera Theatre Tuesday but performers planned to read a message to the audience protesting the mass sacking of 182 orchestra and choir members … Earlier the troubled opera house’s personnel manager, Stefano Bottaro, … rejected a request to rescind the sackings in return for a discussion over productivity levels and costs.”

Orlando’s New Arts Center: As Opening Nears, Plans For Symphony/Opera Stage Are Still On Hold

“That theater is supposed to be the crown jewel of the center. For many, the center won’t be complete without [it]. … It converts hydraulically from an opera house to a symphony hall and the seats can turn upside down into a flat floor. … But the center needs another $40 million in private donations before it can continue with [that phase] of the project.”