After 200 Years, ‘Frankenstein’ Has Suffused The Culture

“While Frankenstein may have thwarted his creature’s desire to procreate, [Mary] Shelley’s novel has birthed a seemingly endless stream of adaptations and riffs … There have been camp Frankensteins, feminist Frankensteins, queer Frankensteins, and political Frankensteins of all stripes, which have taken the monster’s murderous revolt against its maker as allegory of everything from scientific overreach to capitalism to racism to war.”

Yayoi Kusama And Takashi Murakami Go After Chinese Company Exhibiting Counterfeits Of Their Work

“The shows allegedly began in April and have been held in the Chinese cities of Shenzhen, Guangzhou, Wuhan, and Shanghai … [and] were allegedly organized by a Chinese company that approached the individual venues.” Attorneys for both artists say they intend to pursue civil and possibly criminal charges as soon as they firmly identify the parties responsible. (Both artists have legitimate shows opening in Shanghai in November.)

A Competition For Contemporary Concert Dance? How Does That Work?

“So how do you compete in this kind of vocabulary? According to the rules, judges are looking for performers who are ‘fluent in contemporary concert dance vernacular.’ Dancers are given separate scores for their artistry, technique and future potential, with particular attention paid to physical expression, response to the music, use of space and technical skill as well as strong choreography and movement invention.”

Visual Artist Wins One Step Of Court Case Against Kendrick Lamar For ‘Black Panther’ Video

The singer wanted a summary judgement on artist Lina Iris Viktor’s lawsuit against him for copying visuals from her paintings, but the judge wouldn’t grant it. “When the creators of the blockbuster film Black Panther approached her about using imagery from her “Constellations” series in the movie, she said no. She also rebuffed members of Marvel’s PR team when they came back with a similar request.” And yet … well, compare her paintings and the “All the Stars” video.

France’s Latest Social Justice Battle Is Over Accents

It’s called glottophobie: “Derived from the Greek words for tongue and fear, it refers to discrimination against those who speak the language of Molière and Proust with non-standard pronunciation. Regional accents are hardly unique to France. But a history of imposing homogeneity means that, even today, those whose French does not sound Parisian face derision.”