How Fear Can Be a Positive Thing

Given that real fear can be scarring and unpleasant, there’s a temptation to believe that the best way to deal with it is to avoid it at all costs. But science and philosophy often suggest otherwise. Fear can be one of the great sources of personal improvement. In particular, fear can help people cultivate several classic virtues that religious figures, sages, and secular moral traditions have all seen as essential for living a well-ordered life.

The Popular Myths Of Martin Luther Aren’t True. Nonetheless…

“Not only were there no eyewitnesses; Luther himself, ordinarily an enthusiastic self-dramatizer, was vague on what had happened. He remembered drawing up a list of ninety-five theses around the date in question, but, as for what he did with it, all he was sure of was that he sent it to the local archbishop. Furthermore, the theses were not, as is often imagined, a set of non-negotiable demands about how the Church should reform itself in accordance with Brother Martin’s standards. Rather, like all “theses” in those days, they were points to be thrashed out in public disputations, in the manner of the ecclesiastical scholars of the twelfth century or, for that matter, the debate clubs of tradition-minded universities in our own time.”

Why We Want To Assign Blame For Natural Events

“When weird things happen, we still crave the sense of control we get from believing that there’s a reason, that they lay bare the good and evil in society. The human toll of natural disasters tells a story of collective apathy that allows a famine to unfold; corporate greed and unchecked development causes a flood. When nature throws something unexpected our way – as it did to us here in Houston, when I was writing this article from the island that used to be my neighbourhood – we are all apt to look, despite ourselves, for meaning in the madness.”

LA Phil’s New Principal Guest Conductor Makes An Entrance

It is rare enough with American orchestras to appoint a principal guest. The reason for the post more often than not is to fill in something lacking in a music director. The last time the L.A. Phil had principal guests was three decades ago, when it brought in the especially versatile and tuned-in young conductors Michael Tilson Thomas and Simon Rattle to complement an old master, Carlo Maria Giulini. In the case of Mälkki, the natural first reaction may be that she’s a woman. While American orchestras have begun hiring female music directors, this is the biggest crack, thus far, in the increasingly fragile glass ceiling about to crash down on top-tier orchestras.

Philip Glass, The Ultimate Collaborator

For all a director’s authority, film is the most collaborative art form, and Glass is surely the most collaborative artist in history. His dozens of movies are only a small part of his prolific output, which includes music for well over 50 operas, dance works and music theater pieces; 11 symphonies; hoards of concertos and other orchestra and chamber pieces. All that and the reams of music for the Philip Glass Ensemble, which he founded 49 years ago and is still going strong, as it demonstrated at the Ace on Sunday.

An Opera Built On Sounds Too Low For Us To Hear

“For most of the work’s duration, twenty-four subwoofers, placed with their cones pointed upward, emit electronic tones that vibrate at a frequency of 10.67 hertz, or around ten oscillations per second. … Human ears can’t detect sounds much below twenty hertz, but you register their presence all the same. … The body is listening even when the ears tune out.” Alex Ross checks out Ashley Fure’s “opera for objects,” The Force of Things.

‘Today’s Gossip Is Tomorrow’s News’ – Amid The Sexual Harassment Firestorm, A We-Told-You-So By The Founder Of Gawker

Nick Denton: “The headlines are shocking – unless you read Gawker before it was shut down … Those first accounts of sexual harassment – even if anonymous or thinly sourced – give confidence to victims that they are not alone. Gossip, though it draws those motivated by envy and resentment, is also a tool of the powerless.”

The Remarkable Magnetic North Theatre Festival Gets A Second Chance

“For one thing, it goes to small places other than Toronto, Montreal and Vancouver in the country, where people are underserved in terms of having access to the work of Canadian artists. It is also a gathering place where everyone from students to audiences to artists can come together to meet and talk; and it is also a showcase for Canadian artists who don’t have a lot of platforms for their work. There are more now – but an opportunity for presenters to see a lot of Canadian work in one place in a short period of time is very important.”

What Data Scientists Are Learning From Crunching Literature

The oddest finding may be the sharp increase in an innocuous little word: “and.” In 1946, “and” accounted for around 2.6 percent of the words in the reports, a frequency similar to that of average academic prose. But by 2015, as this chart shows, its share had almost doubled, reflecting what the researchers describe as the growing tendency toward long lists of nouns that create the illusion of activity, sometimes despite a “total absence of logic.”