Sony’s Latest Gamble

Sony is preparing to begin selling a new type of copy-protected CD in Germany, with hopes to expand worldwide if consumers embrace the new technology. The CDs do not allow users to share their contents on illegal file-swapping sites, but contain a compressed digital copy of the music which individual consumers can “rip” to their computers and later download to Sony-based portable music players. In what has become a familiar dance, the company is calling its new CDs a breakthrough for consumers, and consumer groups opposed to copy protection of any sort are claiming that the discs can cause computers to malfunction, and are unfairly limiting in any case.

What NPR Ought To Do With Its Money

The Boston Globe editorial page offers some suggestions to NPR on what to spend some of its $200 million windfall: “Bring back music and culture programming. NPR’s news reports are thoughtful and compelling. Its talk shows are topical and a nice way to bring listeners into conversations. And “Car Talk” is great entertainment. But occasionally all this talk is wearying. Balance could be provided by music shows and radio documentaries.”

Disney As Hard Rock Cafe?

Alex Ross goes to Disney Hall: “Gehry’s building is enjoying a mammoth wave of publicity, the like of which has not been seen in classical parts since Lenny partied with the Panthers on Park Avenue. My first reaction was of slightly disappointed déjà vu; if more of these silver-winged creations touch down in cities around the world, they will begin to resemble quarter-of-a-billion-dollar Hard Rock Cafés.”

Chicago’s New Theatre – It Works

Chicago’s new theatre for mid-size arts companies had its debut over the weekend. It’s not the warmest space to be in, reports Sid Smith. But “on the plus side, the seats are comfortable, and a steep rake, especially in the balconies, makes for superb sightlines, particularly for dance. The well-equipped stage is wide and deep, but flexible, able to accommodate both the large corps de ballet from George Balanchine’s ‘Serenade’ and the natural intimacy of duets during Saturday’s inaugural gala.”