“In the 1910s and 1920s, a number of African American women poets and authors turned to drama to address racial violence. Writers such as: Angelina Weld Grimké, Alice Dunbar-Nelson, Mary Burrill, Georgia Douglas Johnson, and Myrtle Smith Livingston were among these writers who did so. With the majority of these Black women living in the heart of Washington, D.C. they were constantly confronted with symbols of democracy that they found their lived realities falling outside of. These women contributed to the genre now known as lynching dramas.” – HowlRound
Tag: 11.12.19
After One Week Of Freedom, Turkish Author Ahmet Altan Is Re-Arrested
The court that had sentenced Altan, along with his brother and one colleague, to ten years in prison (on a charge of assisting the attempted 2016 coup that many believe was trumped-up) ordered them released under supervision last week. But the chief prosecutor appealed that decision, and police promptly went to detain Altan again. – Yahoo! (AFP)
New Prize For Arts And Social Activism To Be Named For Lena Horne
The Lena Horne Prize for Artists Creating Social Impact, sponsored by the Town Hall in New York City, “will recognize those who ‘promote awareness and create social change.’ The inaugural winner will be honored in February. The recipient will receive a $100,000 donation to be directed to a charity of their choice.” – Yahoo! (AP)
On Words Out Of Cultural Context And Banning Or Favoriting Them
“The United States has never been totally segregated, but this new world exposes everyone to everyone else in unprecedented intensity. Just like we sound like our friends, just like someone with a new friend group will inevitably find bits of new language and inside jokes slipped into their own speech, vernacular from here and there and wherever sneaks into conversations between people who’ve never been to those places.” – Public Books
Why Netflix Shouldn’t Give In To Movie Theatres For Its Releases
Netflix can deliver filmmakers a prospective audience of 300 million people (and growing) with each release. This film distribution strategy is enabling rich, diverse stories to reach a massive audience. And that should be celebrated as a win for movie lovers — and the movie business. – The Hollywood Reporter
Why Britain’s Working Classes Are In To The Classics
“Classical materials have been present in the identity construction and psychological experience of substantial groups of working-class Britons. Dissenting academies, Nonconformist Sunday schools and Methodist preacher-training initiatives all encouraged those who attended them to read widely in ancient history, ideas and rhetorical handbooks.” – Aeon
The End Of The “Rude” Press
When I was growing up, every major American metro area had both a polite press—the local dailies—and a rude one: the alt-weeklies. The alt-weeklies were funded by advertisers the family-friendly media wanted nothing to do with. In the end, many of these publications were also simply killed by rich idiot owners or corporations that routinely purchase publications and ruin them out of both greed and incompetence. And so we (mostly) don’t have alt-weeklies anymore. – The New Republic
The ‘Mattress Monster’: Yvonne Rainer Recreates One Of Her Oddest Avant-Garde Dances From The 1960s
“It could be a dream or a nightmare. You’re 84. What would it be like to have an artistic conversation with your 30-year-old self? [Rainer] is finding that out as she reconstructs, in collaboration with Emily Coates, Parts of Some Sextets, which she created in 1965 for 10 performers and 12 mattresses. A complex braiding of movement, text and, yes, mattresses, it builds an invigorating labyrinth of choreographic activity.” – The New York Times
Pop Culture (For Good Or Bad) Unites Us Culturally. Will Streaming Wars Disrupt This?
“Pop culture is one of the things that unites us as Americans and a lot of our pop culture is bad. But the fact that a whole bunch of people watch The Masked Singer every week or that everybody watched the Game of Thrones finale, I love that aspect of our pop culture and I really worry about it going away.” – Vox
Amos Oz And The Challenges Of A Language Brought Back From The Dead
“To Oz, writing in Hebrew was like sculpting in solid rock and crusted sand at the same time. With one foot in the Hebrew of the Bible and the other in the mélange of linguistic influences that made up the vernacular in a young country of immigrants, the language could make a speaker prone to making missteps of word choice: ‘you don’t want to bring in Isaiah and Psalms and Mount Sinai’ to describe an argument over pocket change.” – The New Yorker