After half a century, the building remained a gem but needed an upgrade. City officials gave the foundation until 2019 to remove asbestos, fix the sprinklers and make the site wheelchair accessible. The foundation’s president, Darren Walker, saw the opportunity to nudge the headquarters, in other ways as well, into the 21st century. And so Ford has now downsized its footprint, making room for other foundations. There’s a new public art gallery, a touch-and-feel garden in the atrium for the blind; and Mr. Walker converted his own office into a pair of conference rooms that can be used by outside nonprofits. The building is rechristened the Ford Foundation Center for Social Justice.
Tag: 11.19.18
Study: Trained Musicians Score Higher On Tests Of Thinking
Combining the results of all the tests, “musicians with extensive experience scored significantly higher than non-musicians and less-trained musicians,” the researchers write in the journal Psychology of Music. Specifically, they did better on four of the five cognitive skills that the tests measured.
The Things You Find Behind Doors, Like A Velazquez
In recent days, the Museum of Fine Arts in Houston has rehung a painting called Kitchen Maid (c. 1620) with a new label, “attributed to Velazquez.” The work used to hang in its decorative arts mansion, Rienzi, partially blocked by a door! At that point, it was labeled “in the style of Diego Velázquez.”
Podcasts Are Now Big Business — And Compelling, Sometimes Slippery Storytelling
Rebecca Mead looks at how Serial changed the medium — opening floodgates of possibility, pressure, and money — and how some of that show’s successors have dealt with issues of narrative form and ethics.
Why Are Movie-Makers So In Love With Van Gogh?
He has been anointed—and travestied—as the ideal of the modern artist, even by those for whom art, modern or otherwise, is at best a diversion and at worst a scam. Everybody knows about the cutting of his ear, or cracks cruel jokes about it. His name is as famous as that of Picasso, but Picasso has been mythologized as a monster of control, whereas van Gogh, it is agreed, lay at the mercy of the uncontrollable.